Foster on Film

I made a list for Walter Matthau the other day so it seemed wrong not to do the same for his frequent partner, Jack Lemmon. Lemmon’s filmography is even stronger, with quite a few good films not making this list (and also Airport ’77!). Lemmon was known as a comic, but he was equally good

The best film stars are defined by their voices and none had a finer voice than Ronald Colman; I would bet it has been imitated more often than any other. His good looks got him parts in silent cinema, but when the talkies came along, he really bloomed—the man with the mellifluous voice. But even with

I watched the wonderful Hopscotch last night, which made me think of all the great Walter Matthau films and how likely it is that some of my friends haven’t seen them. Matthau’s film career started with him stuck in villain roles. For the gruff actor, that seems the natural fit, but it wasn’t. He was

Maureen O’Sullivan was the great ingénue. She appeared to be sensual and exciting while simultaneously being innocent and cute. It was a balancing act few have managed to pull off. Unfortunately it put her in mainly supporting roles where she was the goal—of the eight films below, only two have her as the lead. The

After a lackluster film day, I decided it was time to go to the best of the best. Bogart is the undisputed king of motion pictures. He is the greatest movie star of all time. Yes, he is a somewhat limited actor, and when he stretched, things could get weird (his effeminate, bunny-petting vampire in

No man has personified a film genre like Errol Flynn. He is the icon of Swashbuckling. He was rarely acclaimed for his acting, which is unfortunate. He may have been limited both in his abilities and in his opportunities, but given the right part, no one was better. Who else could wear tights and project

This one is by request. Now Charlton Heston is not your typical actor. It isn’t that he is bad, but rather that he is limited, and works best where a very stylized performance is called for. If you are running a tent revival meeting, he is your man. Sometimes, an actor needs to speak to

O’Hara was a young stage beauty when Charles Laughton became captivated by her eyes, put her under contract, and changed her name to O’Hara. While starting off her film career as a maiden in distress and a gypsy girl, she is best known for a stream of Swashbucklers. In each she played a “fiery” red

Sure, I’m still doing these–and one I was working on required some re-watching, so I went with Hope for today. Bob Hope was such a dominant comedian when I was a kid that is is bizarre to see how he is slipping from public consciousness. He also wan’t a very good comic when I was

Her stage role in A Midsummer Night’s Dream led to the movie of the same name, and by the same director, and that led her to a contract with Warner Bros. Her later conflict with the studio resulted in a court case that gave all actors more freedom. Her most frequent co-star was Errol Flynn.

Lugosi had a presence, a charisma, that shaped scenes and entire films. Was he a good actor? It’s hard to say. He wasn’t really given a chance. With his thick accent and less-than-perfect English, his roles were going to be limited. Add in the tendency to pigeonhole horror actors and his own poor choices, and

William Holden’s big break came playing a dim young boxer/violinist in Golden Boy, and outside of Barbara Stanwyck, the film is best forgotten. He was as unimpressed by his following string of pretty-boy roles as I am. Everything changed after his return from WWII and Billy Wilder picked him for Sunset Blvd. Time had given his