I’ve written before that Humphrey Bogart is the greatest film star of all time. That makes Cary Grant the second greatest. This ultimate romantic leading-man doesn’t have the insane number of masterpieces under his belt that Bogart does, but he has multiple. And as far as generally good films go, he’s got more than Bogart,
Some lists are hard. Some are easy. And some are pretty much repeats. This one is a repeat. Crosby was primarily a pop/swing/jazz singer. He parlayed that into success in film and TV, but it was always music first. He had enough charisma—and his own staff of writers—to become a solid comedian. His best films
Claude Rains is arguably the greatest character actor of all time. He had a few leading roles in his career, but was more often the supporting player that held it all together. He began acting on stage at age 10, and studied and then taught the craft (his students included John Gielgud and Charles Laughton).
In old Hollywood, that sold the appearance of sophistication, Powell was the sophisticate’s sophisticate. No one was smoother. He was class personified. I like him in any movie, even when the movie is not so good. No matter the part, Powell made it better. Powell’s breakout role was as detective Philo Vance in a series
Stewart had a more varied career than most actors and far more than most leading men of the golden age. He not only was in, but was known for, comedies, dramas, melodramas, family films, romances, thrillers, and Westerns. Early in his career, he was in a string of sentimental Frank Capra movies, with It’s A
An elfin beauty that arose at the close of the golden age of Hollywood, Hepburn had aspects of both royalty and innocence. Her fame came from romantic comedies, where those qualities, and her nearly supernatural charisma could shine. Those attributes were muted in dramas, which made it harder for her to rise over the material,
Handsome and debonair, Milland’s early career was mainly in romantic comedies and light action films. His big break came with The Jungle Princess (1936), which made Dorothy Lamour a star as The Sarong Girl. His reputation changed with The Lost Weekend (1945) which won multiple Oscars, but is hard to view as anything other than
Ginger Rogers will forever be known as the dancing partner of Fred Astaire; they fit together. Together they made some of the greatest film musicals of all time. She could manage the steps, as well as both the sophisticated and common attitudes needed for the comedy and romance. Astaire danced with others who were technically
Katharine Hepburn is known as one of the great actress of the golden age as well as a feminist icon. And she earned those reputations by many fantastic, meaningful, and politically relevant films. Unfortunately she made as many horrible and backward ones. Well, that happens, but for this list of her best, I’ll be avoiding
An actor with both one of the most distinctive profiles and most distinctive voices in Hollywood, Basil Rathbone became identified with Sherlock Holmes to his dismay. He should have taken more joy in the connection as few of his other lead roles have been remembered. He was in a large number of classic films, but,
