Foster on Film

This film has a vast advantage over the other two prequel films: it has parallel stories. The Anakin stuff is again pretty bad, with Christensen putting in a career-mutilating performance as he and Natalie Portman utter uncomfortable “romantic” dialog. But with this film, if we removed the bad material, there’s still something left. Obi-Wan has

Nemesis is better than it has any right to be. This is faint praise as it shouldn’t be any good at all. That it is watchable (on free cable—it is not worth actually paying for) is a miracle. There were no good decisions made in constructing this film: An unemotional and unnecessary wedding scene. Yet

This film is a lot of fun, no question. I enjoyed it when I first saw it and still do. That doesn’t mean it isn’t a disaster, just an enjoyable disaster. The problems really start with the acting. Yes, all the first six films have poor acting but among the original trilogy, it stands out

Spock’s brother and some space hippies want to find God who lives in Eden at the center of the galaxy. Naturally they need a star ship to get there and the Enterprise is the first available one they can take over. Oh, and there’s a punk Klingon following because…reasons. It is hard not to be

Star Wars 7 is a construction more than a film, made up of pieces from the other six films (mainly the original three and primarily A New Hope). It’s all homages and repeats. It’s well done, with every aspect meticulously crafted. We may have seen it all before, but the new paint looks good. The

Captain Kirk is pulled into a giant space-time ribbon so that he can later meet Captain Picard. There’s also some things about a mad scientist and grumpy Klingons, but they don’t matter. Call it, Fan Service, The Motion Picture. The plot, what there is of it, is based on who signed a contract (Leonard Nimoy,

Note: For those grabbing torches and pitchforks, I am giving Empire a good rating. I know here is where people will get upset with me as many want to rank Empire as #1, but it just doesn’t belong there. Yes, the cinematography is a little better, but it was good in Star Wars {A New Hope}. Yes, the acting

In order to earn enough money to rescue Qi’ra (Emilia Clarke), the girl he left behind, Han Solo (Alden Ehrenreich) teams up with Chewbacca (Joonas Suotamo) and they join a gang of bandits led by Beckett (Woody Harrelson). When the job goes south, they are forced to take on a more dangerous heist for mob

It all started here. It was all new. I’d never seen anything like this before and it was breathtaking. The first scene, with the rebel ship flying overhead followed by the star destroyer, is amazing and has never been equaled. Star Wars took old stories and myths and icons, tossed them into a sandy blender,

In the mid-1990s, Carol Danvers/Captain Marvel (Brie Larson) is an amnesiac space soldier of the Kree empire, part of an elite squad lead by Yon-Rogg (Jude Law), tasked to fight the shape-changing Skrulls. A mission goes wrong and she is separated from her team, captured by the Skrull Talos (Ben Mendelsohn), and mind-probed. She escapes

An Imperial pilot (Riz Ahmed) has defected with news of a new super weapon called The Death Star — good name. The rebellion needs the information the pilot has as well as to stop the lead weapons-maker (Mads Mikkelsen), so they free Jyn (Felicity Jones), the weapons-maker’s daughter, from imperial custody and send her with

In the future of 1988, Aliens from Venus attack the Earth. Heroic Miyoshi returns from America with a request from the UN for Prof Takigawa: finish the construction of the submarain-like spaceship Gohten. Takigawa had stopped construction either because all the good crew had left the project, or out of spite because Miyoshi blew off