An account of the “Doolittle Raid” in which the US bombed Tokyo and other Japanese cities, undertaken to raise US morale and damage Japanese morale instead of for the physical damage that could be done. We follow the crew of “The Ruptured Duck,” captained by Ted Lawson (Van Johnson) and including gunner David Thatcher (Robert
Black Narcissus (1947)
Five nuns are sent into the Himalayas to turn an ex-pleasure palace into a nunnery. A previous attempt to make it a monastery had failed for unstated reasons. Youthful and arrogant Sister Clodagh (Deborah Kerr) is made mother superior. She is given: Sister Philippa (Flora Robson), to run the garden; Sister Honey (Jenny Laird), because
Johnny Belinda (1948)
We are in the far off dark land of post-war Canada, where a deaf-mute is assumed to be unable to think and feel by the primitives that live there. Enter Doctor Noble Dogoodery (Lew Ayres). He wanders about, doing good, until he meets virginal deaf-mute Belinda (Jane Wyman). She has never been taught anything in
Trader Horn (1931)
A White ivory trader and “hunter” known as Trader Horn (Harry Carey) heads down the river with his oblivious friend Peru (Duncan Renaldo) and his loyal Black “gun bearer” to trade with the savages in the deepest part of that mysterious continent of Africa. Along the way they run into Edith Trent (Olive Carey—the star’s
King Solomon’s Mines
King Solomon’s Mines (1937) King Solomon’s Mines (1950) King Solomon’s Mines (1985) Allan Quartermain, the great white hunter, finds himself, against his better judgment, as the guide for a rescue party into “uncharted” Africa. Their destination is the diamond mines of King Solomon, an old wives’ tale. Along the way they pick up an unusual
The Misfits (1961)
Recent divorcée Roslyn Taber (Marilyn Monroe) and her divorce-enabling friend Isabelle Steers (Thelma Ritter) run into Gay Langland (Clark Gable), an aging and bitterly nostalgic he-man cowboy, and Guido (Eli Wallach), a lost widower. The men immediately start competing for her. Though neither of them exhibit any qualities she’s interested in, she moves in to
La Dolce Vita (1960)
Marcello (Marcello Mastroianni) is a playboy and entertainment reporter, living adjacent to the rich and famous, and though that proximity and his own charms, he is living the sweet life. He hangs out at night clubs, bars, and parties, often with Paparazzo (Walter Santesso), his photographer, at his side. In the course of a week,
Breakfast at Tiffany’s (1961)
Author Paul Varjak (George Peppard) stumbles into the life of flamboyant escort Holly Golightly (Audrey Hepburn). Though kept by a wealthy, married woman (Patricia Neal), he falls for Holly and tries to win her affections. But Holly, who is intoxicating to all, is scared of anything that might tie her down, and spends her time
Lawrence of Arabia (1962)
Charismatic British Lieutenant T.E. Lawrence (Peter O’Toole) is meant to act as a liaison between Arabian Prince Faisal (Alec Guinness) and the British, but he pushes to do more. Uniting differing tribes, with leaders of differing personalities (Omar Sharif, Anthony Quinn), he leads the Arabs in battle against the Turks, getting more and more obsessed
The Servant (1963)
Upper-class slacker Tony (James Fox) decides he needs a manservant, so hires the efficient Barret (Dirk Bogarde), who seems almost as anachronistic as Tony, but additionally there is something sinister about him. Tony’s sharp and disdainful fiancée Susan (Wendy Craig) is immediately antagonistic toward Barret, though to little effect. He brings his wanton sister Vera
The Lion In Winter (1968)
Aging King Henry II (Peter O’Toole) has decided to hold a Christmas court at an out-of-the-way castle in order to deal with the question of succession. In attendance, besides peasants and soldiers, will be the queen, Eleanor of Aquitaine (Katharine Hepburn), who he has had imprisoned for the past ten years, and their three sons,
Gaslight (1944)
This is one of those movies that has made its mark on modern culture while few people of recent generations have seen it. “Gaslighting” has become a verb, used normally in a political context and often dealing with feminism. Of course the terms current usage defines something quite mild compared to what happens in the