Foster on Film

In a rebooted universe where Godzilla has never existed before, an unknown disaster occurs in the bay and the Japanese government springs into action to talk, and meet, and make sure that protocol is followed. When the disaster turns out to be a giant mutating monster, the government immediately talks some more, and meets some

The zombie apocalypse breaks out just as a workaholic is boarding a train to take the daughter he’s been ignoring back to his ex-wife in Busan. With zombies onboard, our not-so-noble hero ends up with a tough guy and his very pregnant wife, a teen baseball player and cheerleader, a homeless man, and two elderly

Dr. Maximiliano Renan (Ramón Pereda) will do anything to save his dying and paralyzed wife, and as he’s a mad scientist, complete with hunch-backed assistant (Enrique Gonce), his methods involve strange experiments on young women. His attempts with the recently deceased failed, so now he’s taken to kidnapping women from the hospital, who then die

In a bleak Estonian village, the peasants survive with the help of witchcraft and folk magic, which is as much a part of everyday life as the tree bark they eat. The most notable magic takes the form of “kratts,” automatons made from wood, bone, straw, farm implements, and eventually even snow, and animated by

Crooked Privy Councillor ten Brinken (Albert Bassermann) has had some success with his experiments with artificially inseminating rats, and wants to take it to the next level: inseminating a prostitute with the sperm from a dead murderer. Seems like that shouldn’t be the next level, but hey, I’m not a mad scientist, so what do

Master Gau, along with his two bumbling assistants, Man Choi and Chou Sheng, are asked to rebury the patriarch of the Yam family in order to generate good luck, but the patriarch turns out to be a vampire and breaks free. Gau, and in his own way, the dim, obnoxious police captain, attempt to destroy

The alien Zenon have come to invade Earth in a star destroyer they stole from Star Wars. Luckily the Earth is defended by three female super heroes. Unluckily, they have no weapons or useful strengths and if they transform into their outfits, they will be shot from space. The Zenon’s plan is to set loose

An older Wu Xie (Lu Han—a Chinese/Korean boy band idol) is approached by a writer to tell the story of what happened when he was a teen. Wu Xie had belonged to a traditional family of grave robbers. His family had tried to keep him out of the business, but his flair for tinkering and

Lieutenant Yoshinari Yonemori is part of a plutonium transport sea convoy that runs into an atoll. Overwhelmed by the near disaster, he pushes his way onto the insurance investigator’s team that’s trying to determine what happened. Meanwhile, zoologist and all-around science expert Dr. Mayumi Nagamine is pulled in by Police Inspector Osako to investigate deaths

The local ferryman meets the personification of death (Peter Voß) one night, and dies on his ferry. The town advertizes for a new ferryman, but there are no local takers as the townspeople fear an evil force roams the other side of the river. Maria (Sybille Schmitz) wanders into town, lacking papers, so is a

High school student Taki, from Tokyo, and Mitsuha, from the country, find themselves body swapping at random times when they sleep. After a time of uncertainty and embarrassment, a greater mystery arises. High school romances are a bit young for my tastes, so I hope director Makoto Shinkai aims for something a bit more adult

Two school boys discover a spaceship which takes off when they get in, leaving a sister behind to fail to convince the adults what’s happened. The ship is almost hit by a meteor, but Gamera, who was perusing space for lost children, saves the day. But the mighty turtle can’t keep up with the spaceship,