The Teen Titans—Damian Wayne (Stuart Allen), Blue Beetle (Jake T. Austin), Raven (Taissa Farmiga), Terra (Christina Ricci), and Beast Boy (Brandon Soo Hoo), under the command of current leader Starfire (Kari Wahlgren) and past leader Nightwing (Sean Maher)—have been working to take down cult leader Brother Blood (Gregg Henry). Brother Blood, in return, has plans for the Teen Titans, and has hired Deathstroke (Miguel Ferrer) to carry them out. And he has an ace as one of the Titans is a traitor.
Based on a pivotal comic in the DC universe, The Judas Contract suffers from trying to do too much in less than an hour and a half. To fit in two angsty teenage subplots, two romances, two villains, and a whole lot of rebellion and puberty, everything is simplified. The teens all are one-dimensional cut-outs. Damian rebels by making arrogant quips. That’s it. Blue Beetle whines because he can’t see his parents. That is his personality. Beast Boy likes Terra so moons around her. Add in a non-amusing quirk of constantly posting on social media and we’re finished with him. For an animated film attempting to hit a slightly older demographic (people swear…), the treatment of teenagers is insulting.
The problems are most prominent with the Terra-abuse subplot because they could have done a lot with that. There’s the suggestion of pain and sexuality as a replacement for emotional closeness, but there’s just no meat. There’s no attempt to examine her as an actual human or see how these issue play out in reality. Expand this section, and drop most of the embarrassing bits with Beast Boy and Blue Beetle, and The Judas Contract could have been something. But as is, they needed to cut the swearing and get the film a G-rating as the plot and character development is only suited for young children.
On the plus side, the voice work is reasonable, and the Nightwing/Starfire romance is funny and plays as the closest thing to real the film has to offer. Brother Blood is presented as a formidable and scary opponent. And the basic idea is good, though any accolades there probably should go to the comic book.
The Judas Contract isn’t terrible, but I can’t imagine anyone being happy with it. As with several previous DC animated films, they needed to decide if this was going to be semi-sophisticated flick for late teens and older comic book fans or a movie for the pre-pubescent crowd.