Foster on Film

After a terrorist kills Christopher Pike and escapes with extra-super-duper beaming to the Klingon home world, Kirk is sent to kill him. Kirk decides instead to capture this mysterious man… OK, it’s Khan. We all know it is Khan. The second Abrams-verse Trek film has all the same positives as the first, and all the

Kirk, tiring of the coolest job in the universe, and Spock, planning to help breed new Vulcans, are interrupted from their angst by the survivor of a crashed ship. Their rescue mission turns out to be a trap as a bland villain with a “must destroy everything for no good reason” plan takes much of

Kirk discovers that Spock’s soul is trapped in Bones, so the remaining bridge crew swipe the Enterprise to travel back to the Genesis planet to attempt to put Spock’s mind and body back together. Meanwhile a Klingon captain has set his sights on Genesis as a great weapon and will do anything to get it.

The biggest mistake of Revenge of the Sith is making it so self-serious. It wants to be a Shakespeare tragedy, which is odd for a series based on afternoon serials. The second biggest was Hayden Christensen. Granted, the actor never had a chance, But Ewan McGregor managed to elevate his poor dialog while Christensen drags

The Borg travel back in time to assimilate humanity and disrupt Earth’s first warp drive test. The Enterprise follows to stop them, with Picard having Borg flashbacks and the Borg Queen attempting to seduce Data. Like multiple of the films that came before it, a cast member takes over the director’s chair. This time it

This film has a vast advantage over the other two prequel films: it has parallel stories. The Anakin stuff is again pretty bad, with Christensen putting in a career-mutilating performance as he and Natalie Portman utter uncomfortable “romantic” dialog. But with this film, if we removed the bad material, there’s still something left. Obi-Wan has

Nemesis is better than it has any right to be. This is faint praise as it shouldn’t be any good at all. That it is watchable (on free cable—it is not worth actually paying for) is a miracle. There were no good decisions made in constructing this film: An unemotional and unnecessary wedding scene. Yet

This film is a lot of fun, no question. I enjoyed it when I first saw it and still do. That doesn’t mean it isn’t a disaster, just an enjoyable disaster. The problems really start with the acting. Yes, all the first six films have poor acting but among the original trilogy, it stands out

Spock’s brother and some space hippies want to find God who lives in Eden at the center of the galaxy. Naturally they need a star ship to get there and the Enterprise is the first available one they can take over. Oh, and there’s a punk Klingon following because…reasons. It is hard not to be

Star Wars 7 is a construction more than a film, made up of pieces from the other six films (mainly the original three and primarily A New Hope). It’s all homages and repeats. It’s well done, with every aspect meticulously crafted. We may have seen it all before, but the new paint looks good. The

Captain Kirk is pulled into a giant space-time ribbon so that he can later meet Captain Picard. There’s also some things about a mad scientist and grumpy Klingons, but they don’t matter. Call it, Fan Service, The Motion Picture. The plot, what there is of it, is based on who signed a contract (Leonard Nimoy,

Note: For those grabbing torches and pitchforks, I am giving Empire a good rating. I know here is where people will get upset with me as many want to rank Empire as #1, but it just doesn’t belong there. Yes, the cinematography is a little better, but it was good in Star Wars {A New Hope}. Yes, the acting