Foster on Film

Juanita Perez Lane (Dorothy Burges) is a dutiful and loving wife and mother, but she feels a call back to the island of her birth, back to the voodoo rituals in the jungle. She decides to take her young daughter and visit the plantation, currently run by her uncle, Raymond Perez (Arnold Korff). Her husband

Crooked Privy Councillor ten Brinken (Albert Bassermann) has had some success with his experiments with artificially inseminating rats, and wants to take it to the next level: inseminating a prostitute with the sperm from a dead murderer. Seems like that shouldn’t be the next level, but hey, I’m not a mad scientist, so what do

Ruth Dale (Shirley Grey) is on her way to collect her inheritance, followed by three thugs, two of whom aren’t even given names because in a movie of this quality, names are an unnecessary indulgence. They plan to stop her. By chance she runs into tractor salesman Dick Bartlett (Richard Talmadge) on a train, but

Death (Fredric March) wants to understand humans and their reaction to him so decides to take on human form and spend three days on the estate of Duke Lambert (Sir Guy Standing) in the guise of Prince Sirki. Death makes one rule: the Duke cannot tell any of the others in attendance who he really

Scott (Paul Rudd), his daughter Cassie (Kathryn Newton), Hank Pym (Michael Douglas), Janet Van Dyne (Michelle Pfeiffer), and Hope Van Dyne (Evangeline Lilly) are pulled into the Quantum Realm so that there will be a movie. Scott and Cassie run into rebels while they try to find a way back to our world, while separately

Timid opera violinist Erique Claudin (Claude Rains) is fired, which is awkward as he’s been using all his money to secretly pay for voice lessons for Christine DuBois (Susanna Foster). He hopes publishing his concerto will fix everything, but when he thinks it’s been stolen, he breaks and murders the publisher and has acid thrown

If there is a literary king of the Swashbuckler it would have to be Alexandre Dumas.  His fast-paced historical fiction (which held only a winking acquaintance with actual history) was serialized in French papers in the mid 1800s and was extremely popular.  His stories contained many of the elements that make a good film, so they have

Surrealistic or just nonsensical, the low-budget to low-low-budget Phantasm films (four with a fifth past-due for release) have a reputation for being original fright-fests. That’s unfortunate as that raises the wrong expectations. Far from attempting for originality, the series is a conglomeration of what came before. Scenes and even lines are taken from previous films.

A physicist (Kristen Wiig), a ghost hunter (Melissa McCarthy), an engineer (Kate McKinnon), and a mass-transit ticket-taker (Leslie Jones) join forces to form the Ghostbusters. A disgruntled janitor is summoning ghosts in order to carry out a larger scheme that will wipe out humanity and our team must use their high tech gadgets to defeat

Rob (Cian Barry) is broken and suicidal. His girlfriend, Nina (Fiona O’Shaughnessy) died in car accident. He’s given up his dreams, as someone who is in mourning does, taking a job at a supermarket and visiting weakly with Nina’s parents. His shy co-worker and paramedic in training, Holly (Abigail Hardingham), sees something in him and

Superman (Christopher Reeve) decides that he will free the world of nuclear weapons. Lex Luther (Gene Hackman) escapes from prison with a new plan: he will use Superman’s DNA to create an evil superman to stop Superman so that he can make money from weapons sales. Meanwhile, the Daily Planet has been bought, and the

Tony Stark, suffering from PTSD, battles the terrorist known as The Mandarin while trying to pull his life together. It’s charismatic, witty, Tony Stark, with 50% more whining. If your complaints with Iron Man 1 focused on it not being emo enough, you’ve found your film. There’s lot of good here, but the fun level