Willard (1971)

Willard (1971)

Neurotic weakling Willard (Bruce Davison) lives with his overbearing mother (Elsa Lanchester) and her equally overbearing friends, and works for sleazy Mr. Martin (Ernest Borgnine) who stole his father’s business. While failing to do his chores, he meets, and slowly bonds with some rats in his backyard. The bond becomes closer and closer, particularly with

On the Waterfront (1954)

On the Waterfront (1954)

Terry (Marlon Brando) is a failed prize-fighter that now acts as muscle for the corrupt longshormen’s union. He’s sent by his brother, Charley (Rod Steiger), and boss, Johnny Friendly (Lee J. Cobb), to trap a squealer who is then murdered. The dead man’s sister, Edie (Eva Marie Saint), and the local priest (Karl Malden) won’t

Sweet Smell of Success (1957)

Sweet Smell of Success (1957)

Sleazy press agent Sidney Falco (Tony Curtis) survives by getting cruel, dictatorial J.J. Hunsecker (Burt Lancaster) to mention his clients in his column. Hunsecker makes and destroys lives and careers on a whim. Outside of his own power, the only thing Hunsecker cares about is his sister (Susan Harrison), and he wants to keep her

Too Many Crooks (1959)

Too Many Crooks (1959)

Fingers (George Cole) is the incompetent leader of a band of unsuccessful thieves, made up of grumpy and nearly competent Sid (Sidney James), illiterate wrestler Snowdrop (Bernard Bresslaw), the agreeable Whisper (Joe Melia), and the buxom and stunning Charmaine (Vera Day). After several failed jobs, Fingers comes up with a plan to kidnap the daughter

Fährmann Maria (1936)

Fährmann Maria (1936)

The local ferryman meets the personification of death (Peter VoĂź) one night, and dies on his ferry. The town advertizes for a new ferryman, but there are no local takers as the townspeople fear an evil force roams the other side of the river. Maria (Sybille Schmitz) wanders into town, lacking papers, so is a

The Ghost Walks (1934)

The Ghost Walks (1934)

On a dark and stormy night, as is normal in these sorts of pictures, theater producer Herman Wood (Richard Carle) and his secretary Homer Erskine (Johnny Arthur) are being driven by playwright Prescott Ames (John Miljan) to his home when a fallen tree forces them to take refuge in a nearby house, owned by psychologist

Song at Midnight (1937)

Song at Midnight (1937)

An acting troop, including young lead Sun Xiaoou (Chau-Shui Yee) and his girlfriend Liu Die (Xu Manli), arrives at a dilapidated theater, and are greeted by only Zheng (Wang Weilyi), the guardian of the theater and a hunchback with a monstrous appearance, that no one ever mentions. They set to work on a new opera,

Drums of Jeopardy (1931)

Drums of Jeopardy (1931)

Anya Karlov is seduced and then abandoned by Prince Gregor Petroff (Wallace MacDonald), a member of an obnoxious aristocratic Russian family. She dies, and as the family refuse to say which of them is at fault, nor do they show any sign of caring, her father, scientist Boris Karlov (Warner Oland) sets out to take

Murder by Television (1935)

Murder by Television (1935)

Prof. James Houghland (Charles Hill Mailes) has invented a new technology for that newest of new products: the television. Multiple companies want his invention, and secretive people threaten him. During his demonstration, he is murdered. Nelson, the chief of police (Henry Mowbray) has many suspects, including Houghland’s assistant Dr. Arthur Perry (Bela Lugosi), medical experimentalist

El fantasma del convento (1934)

El fantasma del convento (1934)

Somewhat effeminate Eduardo (Carlos Villatoro), his wife Cristina (Marta Roel), and Eduardo’s more manly friend Alfonso (Enrique del Campo) get lost while walking in the woods at night. A strange man with his dog, Shadow, appears and offers to take them to the nearby monastery of the cloistered Order of Silence. There they are taken

El misterio del rostro pálido {Mystery of the Ghastly Face} (1935)

El misterio del rostro pálido {Mystery of the Ghastly Face} (1935)

Forceful and obsessed Doctor Forti (Carlos Villarías ) carries out strange medical experiments in his home, aided by his weak-willed son, Pablo (Joaquín Busquets). Pablo wanted only to play the violin and marry Forti’s beautiful ward Angélica (Beatriz Ramos) but instead does what Forti commands. Both Pablo’s Aunt Doña Engracia (Natalia Ortiz) and the butler