The Cry of the Werewolf (1944)

The Cry of the Werewolf (1944)

At a horror museum, while the tour guide (John Abbott) gives speeches on werewolves, Doctor Charles Morris (Fritz Leiber)—doctor of…history maybe, or voodoo—researches a werewolf woman. He’s murdered, seemingly by a wolf, and his scientist son (Stephen Crane) and the son’s semi-sister/girlfriend (Osa Massen) play detective to find the murderer. Police detective (Barton MacLane) also

The Black Cat (1941)

The Black Cat (1941)

Rich, eccentric Hanrietta Winslow (Cecilia Loftus) lives on her estate with her house keeper Abigail (Gale Sondergaard), groundskeeper Eduardo (Bela Lugosi), and an excessive number of cats. Her greedy relatives (Basil Rathbone, Anne Gwynne, Gladys Cooper , Claire Dodd, John Eldredge, Alan Ladd) have infested the place, waiting for her to die. They are joined

The Ghost Walks (1934)

The Ghost Walks (1934)

On a dark and stormy night, as is normal in these sorts of pictures, theater producer Herman Wood (Richard Carle) and his secretary Homer Erskine (Johnny Arthur) are being driven by playwright Prescott Ames (John Miljan) to his home when a fallen tree forces them to take refuge in a nearby house, owned by psychologist

The Black Room (1935)

The Black Room (1935)

In a semi-Germanic, semi-British, semi-French Barony somewhere in Europe, the Baroness gives birth to twins, a dark happening as the family prophecy states that the family will end when a younger twin kills the elder in The Black Room (it needs to be pointed out to the rather dim lieutenant that twins don’t pop out

Freaks (1932)

Freaks (1932)

Within a sideshow, the Freaks live, carrying out romances, arguments, friendships, and betrayals. Cleopatra (Olga Baclanova), the beautiful acrobat of the circus, plots to marry the midget Hans (Harry Earles) for his secret fortune, and then kill him, with the aid of her lover, the strongman Hercules (Henry Victor). Frieda (Daisy Earles), Hans’s ex-fiancée, knows

Get That Girl (1932)

Get That Girl (1932)

Ruth Dale (Shirley Grey) is on her way to collect her inheritance, followed by three thugs, two of whom aren’t even given names because in a movie of this quality, names are an unnecessary indulgence. They plan to stop her. By chance she runs into tractor salesman Dick Bartlett (Richard Talmadge) on a train, but

Death Takes a Holiday (1934)

Death Takes a Holiday (1934)

Death (Fredric March) wants to understand humans and their reaction to him so decides to take on human form and spend three days on the estate of Duke Lambert (Sir Guy Standing) in the guise of Prince Sirki. Death makes one rule: the Duke cannot tell any of the others in attendance who he really

Pacific Rim (2013)

Pacific Rim (2013)

Giant monsters—kaiju—have risen up through a dimensional portal on the ocean’s floor, and caused massive death and destruction. Eventually, humans got the advantage by building giant robots they call jaegers. The robots require two closely aligned pilots whose brains are connected to the machines and to each other. Raleigh Becket (Charlie Hunnam) was such a

Gamera vs. Gyaos (1967)

Gamera vs. Gyaos (1967)

A volcanic eruption serves the dual purpose of calling Gamera and waking Gyaos, an ancient flying lizard-bat that shoots sonic beams. Nearby, a greedy firm is trying to build an expressway through a village of equally greedy people. The prepubescent grandson of the village elder is obsessed by Gamera and makes friends with him. It

Dracula, Prince of Darkness (1966)

Dracula, Prince of Darkness (1966)

Two arrogant British couples find themselves, through excessively unlikely circumstances, in Dracula’s castle ten years after the vampire’s destruction. A previously unknown servant drains one of the men over a tub, reconstituting Dracula (Christopher Lee). For no good reason, the resurrected Count ignores the other couple and they escape, teaming up with a Van-Helsing-ish abbot

The Catman of Paris (1946)

The Catman of Paris (1946)

Charles Regnier (Carl Esmond) return to Paris to great acclaim for his soon to be published novel, meeting with his patron, Henry Borchard (Douglass Dumbrille), who advises him that he need not fear the government, which is upset that his story approaches the truth of a corrupt trial. But Charles is bothered by more than

The Plague of the Zombies (1966)

The Plague of the Zombies (1966)

Distraught physician Peter Tompson (Brook Williams) writes his mentor, Sir James Forbes (André Morell) a rambling letter about deaths with no natural explanation in a rural village. Forbes’s daughter (Diane Clare), interested in seeing her friend Alice (Jacqueline Pearce) who happens to be Tompson’s wife, convinces her father to take train and coach to visit