Foster on Film

In 1999, a Japanese nuclear reaction accident, tied to the discovery of giant monster fossils in The Philippines, killed nuclear engineer Joe Brody’s (Bryan Cranston) wife. Now, Brody is obsessed with discovering the secret of what really happened, a secret that involves a giant monster known as a MUTO. Brody’s son, Ford (Aaron Taylor-Johnson) gets

Zoology professor Oshima, his assistant, and a photographer are carrying out research connected to legendary giant turtles in the arctic when aerial combat causes a plane to crash, setting off its nuclear payload and waking Gamera. The giant turtle kills everyone on a ship and then heads off to find energy to consume. In Japan,

Rebirth of Mothra (1996)  Rebirth of Mothra II (1997)  Rebirth of Mothra III (1998)  Three films in which a pair of fairy sisters, Moll and Lora, work to save humanity with the help of children and the goddess moth, Mothra, while their evil sister attempts to do the opposite using various huge monsters. In Rebirth

A snotty, nasty sorority girl (Jessica Rothe), who is obnoxious to her roommate and cruel to every guy she meets, and is sleeping with her married professor and ignoring her father, is murdered by a killer who wears a baby mask. She then wakes up just as she had the day before, and lives the

In the non-groovy past, a de-Jewified Larry Van Helsing (really? Larry? Not Abraham) and Count Dracula (Christopher Lee) both die—a scene that breaks with past films, but Hammer was never consistent. An unknown person wandering by grabs a vial of the Count’s blood, which pops up again in 1972. In that swinging time, some hippies,

A direct sequel to Godzilla Against Mechagodzilla (and the only film in the “millennium series” to carry any continuity) Godzilla: Tokyo S.O.S. (also known as Godzilla vs. Mothra vs. Mechagodzilla: Tokyo S.O.S.) starts with an injured Godzilla somewhere in the ocean and a damaged Mechagodzilla in the shop. As politicians fret, the twin fairies from

The crew of a colony ship is awakened by an accident—except for their synthetic, Walter (Michael Fassbender), who was awake—and while making repairs, picks up a signal. The new, uncertain captain, who needs the approval both of the crew and of God, decides to follow the signal to its Earth-like world which might be a

Neurotic weakling Willard (Bruce Davison) lives with his overbearing mother (Elsa Lanchester) and her equally overbearing friends, and works for sleazy Mr. Martin (Ernest Borgnine) who stole his father’s business. While failing to do his chores, he meets, and slowly bonds with some rats in his backyard. The bond becomes closer and closer, particularly with

Elderly one-handed pianist Francis Ingram (Victor Francen) gathers his live-in nurse Julie Holden (Andrea King), his roguish friend Conrad Ryler (Robert Alda), his eccentric secretary Hilary Cummins (Peter Lorre), and his lawyer (David Hoffman) to sign a document that later turns out to be his will. Julie secretly plans to leave due to Ingram’s oppressive

Big game hunter Bob Rainsford (Joel McCrea) is sailing back from a hunt with his wealthy friends when their yacht hits a reef and sinks. Rainsford alone makes it to the shore of a small island, which is inhabited by hunting enthusiast Count Zaroff (Leslie Banks) and his servants (Noble Johnson, Steve Clemente, Dutch Hendrian).

In 1830s London, Sweeney Todd (Tod Slaughter) has carved out a successful career by murdering men fresh off ships, splitting the funds they carry with Mrs Lovatt (Stella Rho) who runs the bakery next door. He’s set his mind in a less bloody way on the beautiful Johanna (Eve Lister), daughter of wealthy ship-owner Stephen

American Tom Poston (Tom Penderel) is asked by his sometimes roommate Casper (Peter Bull) to meet him at his ancestral home. Arriving at the deteriorating mansion, he discovers Casper dead and the house inhabited by Casper’s mother, dotty Agatha Femm (Joyce Grenfell), his twin brother Jasper (also Peter Bull), his uncles, sinister Roderick Femm (Robert