Foster on Film

King Solomon’s Mines (1937)  King Solomon’s Mines (1950)  King Solomon’s Mines (1985)  Allan Quartermain, the great white hunter, finds himself, against his better judgment, as the guide for a rescue party into “uncharted” Africa. Their destination is the diamond mines of King Solomon, an old wives’ tale. Along the way they pick up an unusual

Professor Henry Higgins (Rex Harrison), on a bet with Colonel Pickering (Wilfrid Hyde-White), takes in flower girl Eliza Doolittle (Audrey Hepburn) with the intention of teaching her proper English such that she could pass as a high class lady. My Fair Lady is a nice film, a pleasant viewing experience. That sounds like I’m damning

Recent divorcée Roslyn Taber (Marilyn Monroe) and her divorce-enabling friend Isabelle Steers (Thelma Ritter) run into Gay Langland (Clark Gable), an aging and bitterly nostalgic he-man cowboy, and Guido (Eli Wallach), a lost widower. The men immediately start competing for her. Though neither of them exhibit any qualities she’s interested in, she moves in to

Joe Brady (Gene Kelly) is a wolfish sailor on leave, anxious to hook up with a girl he knows. Clarence Doolittle (Frank Sinatra) is his inexperienced friend who wants Joe to find him a girl. They are dragged in by the police to help deal with a lost child who is running away to join

Marcello (Marcello Mastroianni) is a playboy and entertainment reporter, living adjacent to the rich and famous, and though that proximity and his own charms, he is living the sweet life. He hangs out at night clubs, bars, and parties, often with Paparazzo (Walter Santesso), his photographer, at his side. In the course of a week,

Forty years after Michael Myers went on his one and only killing spree, a pair of stereotypically douchie podcasters get access in Michael in the asylum he’s been locked up in all this time. Because we know it is a stupid thing to do, they bring with them his mask. Soon after, the bus transferring

Three service men, Ted Riley (Gene Kelly), Doug Hallerton (Dan Dailey), and Angie Valentine (Michael Kidd), discharged from the army in 1945, pledge to meet in ten years to prove that they will still be friends. In the intervening years, Riley ends up mixing into the seedier side of New York and manages a crooked

Author Paul Varjak (George Peppard) stumbles into the life of flamboyant escort Holly Golightly (Audrey Hepburn). Though kept by a wealthy, married woman (Patricia Neal), he falls for Holly and tries to win her affections. But Holly, who is intoxicating to all, is scared of anything that might tie her down, and spends her time

Blackie (Clark Gable) is a pleasant, heroic, good guy who runs an exceptionally nice night club but is somehow thought of as scandalous. Huh. That doesn’t make sense, but onward. Blackie spends his time, when not doing the most respectable disreputable things possible, with old friend Father Mullin (Spencer Tracy). Into his club comes prissy

Lyricist Lorenz Hart (Mickey Rooney) was deeply, tragically upset about being short, which is a little odd since he was actually an alcoholic homosexual, but since no one was either of those things in 1940s cinema, it’s being short that bothered him. He teams up with the composer Richard Rodgers (Tom Drake), who is too

Charismatic British Lieutenant T.E. Lawrence (Peter O’Toole) is meant to act as a liaison between Arabian Prince Faisal (Alec Guinness) and the British, but he pushes to do more. Uniting differing tribes, with leaders of differing personalities (Omar Sharif, Anthony Quinn), he leads the Arabs in battle against the Turks, getting more and more obsessed

Jane Falbury (Judy Garland) is trying to make a go of her failing farm while mostly ignoring her wealthy longtime fiancé, Orville (Eddie Braken), when her flighty actress sister (Gloria DeHaven) shows up with an acting troop that includes Joe D. Ross (Gene Kelly) and sidekick Herb (Phil Silvers). Joe is under the impression that