Feb 212015
  February 21, 2015

Alright, so enough of the bad, and onto the good.

The nominees for 2014, Best Song/Use of a Song are:

  • Come and Get Your Love – Guardians of the Galaxy
  • Everything Is Awesome – The Lego Movie
  • The Hanging Tree – The Hunger Games
  • Little Boxes – The Boxtrolls
  • Once Upon a Dream – Maleficent

And the winner is:

.

.

.

Once Upon a DreamMaleficent.

This was a tight category, with some really good, in some cases surprisingly good (The Hanging Tree), nominees, but the goth version of Once Upon a Dream perfectly defines the film, plus, it is beautiful.

Feb 212015
  February 21, 2015

The nominees for 2014, Most Egregious Exposition are:

  • Dracula Untold – Voice over
  • The Giver – Voice over
  • Interstellar – Explanatory speeches masquerading as dialog.
  • Teenage Mutant Ninja Turtles – Turtles explaining the story
  • Noah – Recap of The Bible

And the winner is:

.

.

.

Interstellar

This film talks where few men have talked before. If something could be said or shown, Interstellar says it. (For more, see Nolan’s 2001)

Feb 212015
  February 21, 2015

The nominees for 2014, Most Disappointing are

  • Godzilla
  • The Hobbit: The Battle of the Five Armies
  • Interstellar
  • The One I Love
  • The Tale of Princess Kaguya

 

And the winner is:

.

.

.

Interstellar

Sure, I should have known it wouldn’t be very good, but I kept hearing how great it was. And you might not have my “Nolan warning.” Interstellar is OK, but massively oversold. Smart? Epic? Confusing? No. Just sappy and mediocre.

Feb 212015
  February 21, 2015

The nominees for 2014, Most Ridiculous Time Filler are:

  • Godzilla – The human soldier does…things
  • The Hobbit: The Battle of the Five Armies – No, really, another orc getting stabbed
  • The Hobbit: The Battle of the Five Armies – Every other frame
  • Interstellar – Earth
  • Noah – Let’s kill the grandchildren
  • Transformers: Age of Extinction – Every scene with Mark Wahlberg

And the winner is:

.

.

.

Noah – Let’s kill the grandchildren

Sure, others wasted more time (Looking at you The Hobbit) but none stood out so as an obvious insertion just to make the film longer. Why did Noah want to kill his grandchildren? Because otherwise, the film was much shorter. That’s it, and that’s why it won.

Feb 212015
  February 21, 2015

The nominees for 2014, Most Painful Performance are:

  • Johnny Depp as Napping Guy in Transcendence
  • Kelsey Grammer as Guy Just Getting a Paycheck in Transformers: Age of Extinction
  • Mark Wahlberg as Overacting Abusive Father in Transformers: Age of Extinction
  • Megan Fox as Drunk & Confused Gal in Teenage Mutant Ninja Turtles
  • Nicolas Cage as Under-acting Nicolas Cage in Left Behind

And the winner is:

Megan Fox as Drunk & Confused Gal in Teenage Mutant Ninja Turtles

Sure, they were all just terrible, but Megan brought something extra to the role–that she had no more idea what she was doing there than we did. Remarkable.

Feb 212015
  February 21, 2015

It’s the night before the Oscars, so it is now time for If I Ruled the Oscars 2014 (IIRTO for short). Yes, I can feel the excitement. Please advise affiliates we may run late. We have 10 categories to run through-5 Worst of, 5 Best of. Since we end with Best Picture, it’s only right to start with Worst picture. So let’s get right to it.

The nominees for 2014, Worst Feature Film of the year are:

  • Hercules
  • Left Behind
  • Noah
  • Teenage Mutant Ninja Turtles
  • Transformers: Age of Extinction

 

And the winner is:

 

Teenage Mutant Ninja Turtles

They were all worthwhile–boring, pointless, laughable–but Teenage Mutant Ninja Turtles went that extra yard. Senseless plot. Joke characters. Excessive exposition. Horrible acting, editing, and directing. Really, this film had it all.

 

Feb 212015
  February 21, 2015

With two days left till the Oscars, thus one day left till If I Ruled the Oscars, I wanted to discuss one last category: Most Disappointing. These films are not necessarily bad. Some are quite watchable. Just, for one reason or another, they were a disappointment.  My nominees were:

  • Godzilla
  • The Hobbit: The Battle of the Five Armies
  • Interstellar
  • The One I Love
  • The Tale of Princess Kaguya

Most disappointing is going to be a more subjective category than the others since it is partly based on expectations. It also includs different kinds of disappointment coming from different sources. So let me take them one by one.

Godzilla. This was disappointing based on the rapid, fanatical announcements from both the filmmakers and fans-supposedly-in-the-know that this film was going to remedy problems with previous Godzilla films. It was set up to be an antidote for the 1998 American film, and was said to be going back to the franchise’s roots. So the expectation was set that this was going to be a substantive film related to the brilliant 1954, Gojira. Or, possibly, it might be a fun romp, like the 1964 Godzilla vs Mothra. But no. What they did is go back to the early ’70s ridiculous snooze-fests, with Godzilla as the savior of mankind and far too much time spent on humans who either watch a screen or take part in pointless military action. If they just said they were replicating the bad old days of Godzilla films, it wouldn’t have been disappointing.

The Hobbit: The Battle of the Five Armies. OK, It seems strange to call this disappointing when, after five films, it was clear what we’d be in for. It was going to be long. It was going to be slow. It was going to be slow. Wait, I said that already. Oh, it was worth repeating. It was going to get off track. So, no surprises. But The Hobbit 3 was disappointing (or rather, part of a three film disappointment) in a different way—in what it could have been. With so much talent on board, The Hobbit could have been an excellent film, if someone would have had a long conversation about restraint with Peter Jackson. But they didn’t, or he didn’t listen, so, it is a nominee.

Interstellar. Here’s a film that earned its nomination the old fashioned way: hype. Confused film critics (who somehow didn’t understand it) and mislead early audience members just got it wrong, and then shouted about how great it was. “Oh, it is so smart.” “Oh, it is so sciency.” “Oh, it’s 2001.” But it’s not. It is slow, and dim, with more exposition than any film I’ve ever seen. Over and over characters spell out everything that is happening. Did Nolan think he was making a radio drama? No, it is not a terrible film. Far from it, but it does not live up to its hype.

The One I Love. This one’s on the list for the same reason as Interstellar, just within a smaller group. Plus, it is actually a good film. Perhaps the best film of the five nominees. But in the indie, hipster, crowd it’s the second coming. It’s good, just not that good.

The Tale of Princess Kaguya. A nice animated feature that could be improved with editing, The Tale of Princess Kaguya got it’s nomination as a disappointment for the same reason it got an Academy Award nomination for best animated feature. It was made by Studio Ghibli. That’s Hayao Miyazaki’s company, and people, myself included, assume that things connected to Miyazaki deserve our attention. But this isn’t his film, and while nice, it is not up to the level of Howl’s Moving Castle or Spirited Away.

And that’s it. Which was the greatest disappointment? That’s for tomorrow.

Feb 212015
  February 21, 2015

The nominees for the Ray Bradbury Award for Outstanding Dramatic Presentation were announced today and I was amused to see how closely they resembled my If I Ruled the Oscars nominees for best screenplay.

My Awards:

  • Captain America: The Winter Soldier
  •  Edge of Tomorrow
  • Guardians of the Galaxy
  • The Lego Movie
  • Predestination

Bradbury Awards:

  • Captain America: The Winter Soldier
  • Edge of Tomorrow
  • Guardians of the Galaxy
  • The Lego Movie
  • Birdman or (The Unexpected Virtue of Ignorance)
  • Interstellar

The Bradbury awards have 6 nominations and included one film that wouldn’t qualify for mine due to lacking fantasy/SF content, so if we take theirs down to 5 by eliminated Birdman, the only difference is Predestination vs Interstellar. I suspect that too few people saw Predestination for it to be nominated. Plus, Interstellar can look good if you don’t think about it too hard. The whole incessant exposition thing (so much exposition – see Nolin’s 2001: A Space Odyssey) takes it out of the running so that makes the lists identical where it counts.

 

Feb 202015
  February 20, 2015

I am so proud to announce that Eugie’s short story, When it Ends, He Catches Her has been nominated for a Nebula award.  You can read it at Daily Science Fiction and read about the nominations on the SWFA site.

The story was published on September 26, 2014, the day before she died, and contains her thoughts on life and death, both personally, and for everyone. I love the story, even if it makes my eyes water.

Feb 182015
  February 18, 2015

Yes, I’m sure you are. Coming up in just a few days will be the announcement of the winners from If I Ruled the Oscars. What, you were thinking I was speaking about the Academy Awards? Come on, when was the last time the Oscars were relevant? When was the last time they actually chose the best picture of the year as the best picture of the year? How about their ability to pick best director? Hitchcock, nah. Shall I mention The Greatest Show on Earth? Forrest Gump? Kramer vs. Kramer?

Forget them. Stick with me.

So a few thoughts on my five Best of categories to get us in the mood.

There’s not a great deal to say about Best Feature as this is a pretty standard category. All of the films are very much worth seeing, and a majority of them are deserving of a top award. You’ll just have to wait to see what edges out what.

Best Animated Feature is also a standard category, far more so in that my genre nominees are overlapping the Academy nominees three-fifths of the time (Big Hero 6, The Boxtrolls, How to Train Your Dragon 2). Enough has been said throughout the Internet about the Academy’s bizarre misstep in not nominating The Lego Movie. My fifth choice, Penguins of Madagascar is a film that is much better than non-me critics have said and far superior to the other Madagascar movies. Funny and exciting, it is an underrated film.  Instead of those two, the Academy chose Song of the Sea and The Tale of Princess Kaguya. I cannot comment on Song of the Sea. I disqualified it because it was pretty much impossible for me to see in a timely manner. As for Kaguya, ignoring its 2013 date, it earned its nomination purely based on being from Studio Ghibli, Hayao Miyazaki’s company, but it is no Howl’s Moving Castle. It is not a bad film, but is in need of an editor.

Best Screenplay is not as robust of a category this year. A good screenplay is needed to make a good film, and all five films have good screenplays, but none are truly great. It will be hard to choose a winner when all nominees are good, but none pop out beyond their peers.

Best Character [Creation] is a new category for me, and one I think will stick around as it combines elements that must work together to make the audience care. Makeup, CGI, non-CGI effects, performance—none of these are enough on their own (well, performance can be). But when all work together the results can be astounding. It is also a very strong category. I didn’t walk away from Dawn of the Planet of the Apes thinking about the plot (except for the lack of ending) or theme; I was dwelling on how astounding Caesar was—how much of a real person he was. Similarly Rocket is perfectly created in Guardians. Maleficent, the film, has many detractors, but even they give a nod to Angelina Jolie in the “role she was born to play.” The Hobbit, all nine hours of it, dragged and skittled about where it had no need to go, but there was no flaw in the drawing of Bilbo, Thorin, or Tauriel. They seemed completely real. As for The Beast, in the new version of Beauty and the Beast that I am guessing few who are reading this have seen, he manages to pay homage to tradition while not copying the past.

Which brings me to my last category, Song. I gave up on trying for a Best Original Song category as I could not find enough nominees (nor could The Academy if you look at a few of their choices). And sticking with Original Song would fail to honor some of the best moments in film for 2014. So I went broader, allowing any use of music as a potential nominee. The result is one of the strongest categories of the year, and one very difficult to judge because so many of them pop. “Everything Is Awesome” is the heart of The Lego Movie with its deeply cynical cheerfulness. The goth rendition of “Once Upon a Dream” defines Maleficent, plus is simply beautiful. Then there’s “The Hanging Tree.” The Hunger Games: Mockingjay – Part 1 is not a great film. It has been a weak franchise. It lacks heart. It is drab and emotionless. But not during that song. Then, it is moving and captivating. No one can deny that the Awesome Mix Vol. 1 made Guardians of the Galaxy and I almost nominated the entire mix. Based on the trailer, I’d have gone with “Hooked on a Feeling,” or if I’d gone with my childhood, it would have been “Go All the Way,” but in the film, it is “Come and Get Your Love” that sets the tone.

That’s the rundown. Which will win?

Feb 172015
  February 17, 2015

There’s been some arguing in the science fiction and fantasy literary community in the last few years that a very small group of people think is very important. That the larger group of fans neither notice nor care about this is lost on those who believe that everyone is watching and what they do will determine the future.

The argument may be about societal shifts in race and gender, or it may be about politics. It most often appears as racist outbursts from a group calling themselves Sad Puppies because… well, they give a kind of reason but I’m thinking it’s because someone had a very white puppy when he was a kid.

I’ve avoided this ruckus for multiple reasons, not the least of which is that I’m not a well-known or even not-so-well-known author. But a recent post (here) just struck me as unintentionally funny, and I just can’t ignore funny. John Scalzi has already framed his own reply (here), which makes mine a bit silly since the number of people who will read his is astronomically higher than those who will read mine, but then, I have a different take on it, and besides, I’m tired of doing the work I’m supposed to be doing.

The post is by one William Lehman, who appears to be just about as famous as I am. He calls for his followers to “take back” the sci-fi conventions from…well, from some vague group that he doesn’t like that apparently have an agenda of not giving him the appreciation he is certain he deserves. The closest I can get to sense in this is that he is a manly-man—a geeky, hard science, manly-man—and that those not giving him awards are feminized, soft-science, wimpy sorts. I’d say pinko-commie would be implied, but does anyone actually say that any more? I will grant you, my interpretation comes from reading other diatribes by Sad Puppies that tend to dwell on how the white man is being kept down.

Scalzi looks at what he can find as arguments and attempts to refute them. But I don’t think this is about arguments. This is a man-off, 1960s style. Lehman wants to be a manly-man, and those darn women-types are stopping the spread of manliness. Because…westerns and George Washington and myths.

OK.

I’m game. Let’s play.

I’m a white male, and getting to be an old white male, and I don’t apologize for it, or for most anything. I was raised by a marine, and spent a large amount of my childhood playing soldiers, stalking other children with guns or laying out strategies with armies of plastic warriors. I also played on train trestles, leaping off one side into the creek only when the train reached the far side. I also got in my share of fights, with a grey front tooth and a scar in my scalp as reminders. i.e., a pretty good boy-to-manly-man childhood. I watched a lot of war films and cheered. I also read: Wells, Verne, Asimov, Clarke, Heinlein, Niven. (Authors that count to Sad Puppies.) I did the sports thing in high school and then went on to study physics and math at university. Physics, not psychology. Physics, that thing that is the height of the hard sciences. I do recall teasing the soft-scientists a bit. Also recall teasing the engineers for pretty much the same reason…engineering is soft compared to physics. Not that I didn’t learn to build things. I worked out how to make a nuclear bomb (it really is surprisingly easy). I think that counts. Oh, and I did quite well with girls, which I believe is the number one most manliest-man thing. I dated many, was rarely without, and married a girl who both modeled and won contests for her beauty and sex appeal. She had other attributes, but they are irrelevant to our man-off. And I use the world “girl,” which I think gets me another point.

So, if that doesn’t win me that manly-man thing, it at least puts me in the same man-centered, testosterone-fueled, manly-man sphere as Mr. Lehman.

And if I may take a moment to raise my geek cred, I am a director at a convention. If we go by size, and word it “fan-run” so we can unfairly ignore Comic-con, I am a director at THE convention. It doesn’t get bigger. Now I don’t run the literary side. I do film. But I do communicate with those who run the literary panels, and I assure you, they don’t sit around dwelling on how to be a culture warrior. Really, most of the time is spent saying “OK, I’ve got this celebrity guest, and that celebrity guest. How can I get them both into this block when they want to be signing autographs at that time?”

That makes me a geeky, hard-science, manly-man. And now, here’s the thing—if I may address Mr. Lehman directly—the point that you missed: Manly-men…they don’t whine. They don’t complain about how other people don’t appreciate them. They don’t pout when they don’t get awards. Oh, and they don’t have role-models, and rarely heroes (you know, like gun-slingers). You talk about the myth of the cowboy, but your cowboy wouldn’t be out there with his six shooter; he’d be sulking because the rest of the town didn’t give him a super-sheriff coffee mug. In your version, the silent Pale Rider would come to town, and then in the third act, instead of shooting anyone, would just start talking and talking about how no one realizes how cool he is. And I don’t think you understand the myths. A western gunman is not something you want to be. That’s a main part of the myth.

I’m trying to remember the Robert Heinlein story that featured a man’s-man warrior sort, who was really grumpy that no one would tell him how swell he was. I can’t seem to. Huh. Wonder why?

So, from one Manly-man to another (who’s not looking quite as manly as he should), here are a few rules and suggestions. Fear is not manly. Stop being afraid of women. Really. Be nice to them and they won’t bite you. Stop being afraid of non-Caucasians. They don’t bite either. And stop whining. You want more he-man science fiction? Write some. Don’t complain. Don’t whine. Don’t pout. Write. And if what you write is really, really good, maybe you will get some of that not-so-manly attention you seem to crave. Of course, not giving a fuck would be manlier.

For me, I don’t give a fuck about much. Truly, I care about very little now. Life will do that to you. You’ll learn about that when you grow up. But I do care about the Nebula and the Hugo awards. I really do. And next time I read a nice article about them, I don’t want to run across your whining. It sounds wimpy. Nor do I want to see anything from wimpy puppies. Stop being a wimp and man-up.

Feb 162015
  February 16, 2015

If there is a best, there must be a worst, and it is far more important to point those out. Otherwise, how will the filmmakers ever learn just how terrible they are. Again, keeping it simple for this year, So:

Nominations for Worst Feature Film*

  • Hercules
  • Left Behind
  • Noah
  • Teenage Mutant Ninja Turtles
  • Transformers: Age of Extinction

 

Nominations for Most Painful Performance

  • Johnny Depp as Napping Guy in Transcendence
  • Kelsey Grammer as Guy Just Getting a Paycheck in Transformers: Age of Extinction
  • Mark Wahlberg as Overacting Abusive Father in Transformers: Age of Extinction
  • Megan Fox as Drunk & Confused Gal in Teenage Mutant Ninja Turtles
  • Nicolas Cage as Under-acting Nicolas Cage in Left Behind

 

Nominations for Most Ridiculous Time Filler

  • Godzilla – The human soldier does…things
  • The Hobbit: The Battle of the Five Armies – No, really, another orc getting stabbed
  • The Hobbit: The Battle of the Five Armies – Every other frame
  • Interstellar – Earth
  • Noah – Let’s kill the grandchildren
  • Transformers: Age of Extinction – Every scene with Mark Wahlberg

 

Nominations for Most Disappointing

  • Godzilla
  • The Hobbit: The Battle of the Five Armies
  • Interstellar
  • The One I Love
  • The Tale of Princess Kaguya

 

Nominations for Most Egregious Exposition

  • Dracula Untold – Voice over
  • The Giver – Voice over
  • Interstellar – Explanatory speeches masquerading as dialog.
  • Teenage Mutant Ninja Turtles – Turtles explaining the story
  • Noah – Recap of The Bible

 

*Because a worst list would have been nothing but little-seen, found-footage films, I simply ignored those — not only the horror ones, but the SF (Earth to Echo), and the not-comedy (A Haunted House 2) ones. They’re already winners.