Foster on Film

Lucy (Scarlett Johansson) is forced to become a drug mule for a new synthetic narcotic with unknown properties. When the plastic bag inside her ruptures, the massive dose of the drug initiates changes in her, allowing her to access more and more of her brain’s capacity. As her powers grow, and her death from the

Note: For those grabbing torches and pitchforks, I am giving Empire a good rating. I know here is where people will get upset with me as many want to rank Empire as #1, but it just doesn’t belong there. Yes, the cinematography is a little better, but it was good in Star Wars {A New Hope}. Yes, the acting

The Borg travel back in time to assimilate humanity and disrupt Earth’s first warp drive test. The Enterprise follows to stop them, with Picard having Borg flashbacks and the Borg Queen attempting to seduce Data. Like multiple of the films that came before it, a cast member takes over the director’s chair. This time it

Alan Brooks (Forrest Tucker) is summoned by his friend, Professor Crevett (Warren Mitchell), to a small village at the base of the Trollenberg mountain. He arrives in town at the same time is psychic Anne Pilgrim (Janet Munro—a year before Disney put her into Darby O’Gill and the Little People), who felt compelled to stop

Alton (Jaden Lieberher), a super-powered kid who can’t control his powers, has been kidnapped from a cult by his father Roy Tomlin (Michael Shannon) and his friend Lucas (Joel Edgerton). They take a very, very slow drive through very dark, nowhere roads while pursued by the cult that thinks the child is their salvation and

< In near-future Hong Kong, where cyber-enhancement of the human body is all the rage, Major (Scarlett Johansson), who was the victim of a terrorist attack, has had her brain placed into an android body by a blatantly evil robotics company. She’s intended to be the first in a long line of weapons, but for

It all started here. It was all new. I’d never seen anything like this before and it was breathtaking. The first scene, with the rebel ship flying overhead followed by the star destroyer, is amazing and has never been equaled. Star Wars took old stories and myths and icons, tossed them into a sandy blender,

Nemesis is better than it has any right to be. This is faint praise as it shouldn’t be any good at all. That it is watchable (on free cable—it is not worth actually paying for) is a miracle. There were no good decisions made in constructing this film: An unemotional and unnecessary wedding scene. Yet

Something has gone wrong at the Soviet space station around the planet Solaris. The planet has a sentient ocean that may be creating hallucinations and that idea frighten those in charge. Kris Kelvin (Donatas Banionis), an unpleasant and simple man who is supposedly a psychologist, but never displays that in any way, has been chosen

Six astronauts on the international space station—a medic (Jake Gyllenhaal), a Ryan Reynolds-like pilot (Ryan Reynolds), a handicapped biologist (Ariyon Bakare), a CDC safety officer (Rebecca Ferguson), a computer guy (Hiroyuki Sanada), and the captain (Olga Dihovichnaya)—recover a microscopic life form from a Mars probe and start to experiment with it. Naturally, it grows until

K (Ryan Gosling), a replicant blade runner, lives in a future where new replicants are constructed to obey due to the peculiar, corporate overlord, Niander Wallace (Jared Leto). So the job of the blade runner is now running down old-style replicants who were made before the great blackout. In “retiring” one of these (Dave Bautista),

High schooler Anna (Ella Hunt) is in a dark place after the death of her mother, being dumped by her asshole boyfriend Nick (Ben Wiggins), and attending a school presided over by a near psycho teacher (Paul Kaye). She just wants to escape her small Scottish village. Her ennui is interrupted by the zombie apocalypse.