Jun 272012
  June 27, 2012

Fantasy (of which Science Fiction is a sub-genre) is belittled by supporters of the “mainstream,” both in literature and in film. This is a strange, modern development as the greatest works of literature are fantasies. The Iliad, Beowulf, and Hamlet are all works that shaped the arts, and all are fantasies (some people try to ignore the ghost as a fantastical element in Hamlet, but then some people are very silly). In the last 75 years, the mainstream has become more and more, “slice of life” pieces, reflecting everyday life. In general, you could gain the same meaning by going down to the corner store and watching someone shop. It isn’t just by tradition that fantasies tend to say more about the meaning of life – the genre was made for it. Fantasy allows the reader/viewer to step away from his beliefs and preconceived notions and look at the world in a new way. That gives it an ability to change people that no other genre has. Continue reading »

Jan 272005
  January 27, 2005

First, my link lied.  This isn’t a report on my time at Sundance, but rather on the whole Park City Festival circuit.  Park City in January is a feast of Film Festivals, both big and small.  Some use huge theaters, others bars, and one shows films out of the back of a truck.  I’m not sure how many fests were running while I was in town; I was aware of six and would be shocked if there weren’t several more that dropped under my radar.  I spent my time at the lord of all festivals, Sundance, its supposedly edgy little brother, Slamdance, and the truly edgy, TromaDance.  A majority of the films at all of these fests lay somewhere between mediocre and horrendous.  But I’m in an uplifting mood, so I will dwell on what was worthwhile.  If I don’t mention it, assume either I didn’t see it, or that no one should see it. Continue reading »

Nov 082004
  November 8, 2004

I know the MEIC was a full convention, with panels and concerts and workshops.  It said so in the guide and on the radio.  But for me, there was only film.  Nine features and thirty-six shorts, and I was there to watch them all.  Stephen Zimmer, the lord and master of the MEIC, asked me to be a festival judge, and I must applaud his wisdom.

So I sat, first in an old-style downtown theater (damn, I wish they still built them like that) for a few 35mm prints along with the standard video projections, and then in a theater at the local university.  Apparently, left on my own, I will sit and watch movies indefinitely, never eating and drinking only coffee.  Somewhere in there, I was rescued by director Devi Snively and her partner Agustin Fuentes, who managed to move me into a restaurant where there was real food.  I can’t say that the switch from coffee to bad beer and a fruity rum drink was better for me, but sometimes change is good.  Now I’m pretty fanatical about film, but Devi and Agustin were so inhumanly interesting and pleasant that I was quite happy to take time away from the flickering projectors.  Of course, I made it to the “big screen” showing of Devi & Agustin’s Teenage Bikini Vampire. Continue reading »

Sep 091901
 

This site reviews the best in genre film (where genre is taken very broadly). Reviews are grouped into lists so you can compare films with similar subjects.

Foster on Film has three parts:

  • The Important Films: Here I will look at the films that changed the art form and our society. I have selected my favorite genres and picked the films that are required viewing to understand those genres.
  • The Great Films: My look at the masterpieces of cinema. Here you’ll find lists of the top films by the greatest directors and actors. This is also the home of my Foscar project, where I attempt to fix the Oscar’s Best Picture awards.
  • Film Review Lists: Reviews of films grouped by genre and sub-genre; a guide to anyone who gets into one of the “what are the 10 best X films” discussions. These are reviews, not critiques, so aimed more toward “is it good?” than “why is it good?”
  • Rankings/Lists: A collection of all my other lists of the best films.