Old dear lord… OK, here goes: In some fantasy Deep South straight out of the wet dream of a KKK Grand Dragon, Voodoo practitioner and stereotype Mammy (Georgette Harvey) has returned to the broken down hovel she’d abandoned when her husband Old Sam was killed by Colonel Gordon (Francis Joyner). She brings along her half-White
Dr. Niko Tatopolous (Matthew Broderick) is drafted onto a team that is investigating attacks by a giant monster. They quickly discover that a huge, radioactive lizard does exist and it is heading toward New York. Waiting in the city is Tatopolous’s ex-girlfriend, Audrey Timmonds (Maria Pitillo), who is trying to get a break as a
Gamera’s rocket is struck by a meteor, returning him to earth where he vanishes from the movie for nearly an hour. Meanwhile, three men (who I think might be low level gangsters—it isn’t clear) head to New Guinea to recover an opal that our more-or-less hero’s brother hid during WWII. The opal is not a
French officer Hector Servadac (Cesare Danova) and Irish soldier of fortune Michael Denning (Sean McClory) are about to duel to the death when a comet sweeps them up. On it’s last trip around the sun the comet had picked up prehistoric animals, leaving the two modern men in a world of stock footage and hot
Two arrogant British couples find themselves, through excessively unlikely circumstances, in Dracula’s castle ten years after the vampire’s destruction. A previously unknown servant drains one of the men over a tub, reconstituting Dracula (Christopher Lee). For no good reason, the resurrected Count ignores the other couple and they escape, teaming up with a Van-Helsing-ish abbot
Charles Regnier (Carl Esmond) return to Paris to great acclaim for his soon to be published novel, meeting with his patron, Henry Borchard (Douglass Dumbrille), who advises him that he need not fear the government, which is upset that his story approaches the truth of a corrupt trial. But Charles is bothered by more than
Distraught physician Peter Tompson (Brook Williams) writes his mentor, Sir James Forbes (André Morell) a rambling letter about deaths with no natural explanation in a rural village. Forbes’s daughter (Diane Clare), interested in seeing her friend Alice (Jacqueline Pearce) who happens to be Tompson’s wife, convinces her father to take train and coach to visit
Forceful and obsessed Doctor Forti (Carlos VillarĂas ) carries out strange medical experiments in his home, aided by his weak-willed son, Pablo (JoaquĂn Busquets). Pablo wanted only to play the violin and marry Forti’s beautiful ward AngĂ©lica (Beatriz Ramos) but instead does what Forti commands. Both Pablo’s Aunt Doña Engracia (Natalia Ortiz) and the butler
At a horror museum, while the tour guide (John Abbott) gives speeches on werewolves, Doctor Charles Morris (Fritz Leiber)—doctor of…history maybe, or voodoo—researches a werewolf woman. He’s murdered, seemingly by a wolf, and his scientist son (Stephen Crane) and the son’s semi-sister/girlfriend (Osa Massen) play detective to find the murderer. Police detective (Barton MacLane) also
Rich, eccentric Hanrietta Winslow (Cecilia Loftus) lives on her estate with her house keeper Abigail (Gale Sondergaard), groundskeeper Eduardo (Bela Lugosi), and an excessive number of cats. Her greedy relatives (Basil Rathbone, Anne Gwynne, Gladys Cooper , Claire Dodd, John Eldredge, Alan Ladd) have infested the place, waiting for her to die. They are joined
On a dark and stormy night, as is normal in these sorts of pictures, theater producer Herman Wood (Richard Carle) and his secretary Homer Erskine (Johnny Arthur) are being driven by playwright Prescott Ames (John Miljan) to his home when a fallen tree forces them to take refuge in a nearby house, owned by psychologist