Foster on Film

In the early ‘70s, Bill Randa (John Goodman), the only survivor of a ship destroyed years ago by a giant monster, is obsessed with finding giant monsters in the world. As his last chance, he puts together a team that includes ex-S.A.S tracker James Conrad (Tom Hiddleston), photographer Mason Weaver (Brie Larson), and a military

Gamera The Giant Monster (1965)  Gamera vs. Barugon (1966)  Gamera vs. Gyaos (1967)  Gamera vs. Viras (1968)  Gamera vs. Guiron (1969) Gamera vs. Jiger (1970) Gamera vs. Zigra (1971) Gamera Super Monster (1980) Gamera was Daiei studio’s attempt to compete with Toho’s Godzilla and he was reasonably successful in a financial sense, with eight “Showa”

Giant monsters rose up all over Earth, with the final one being Godzilla, and destroyed human civilization. Two alien races arrived at the last minute to help—the highly religious Exif and the engineering-obsessed Bilusaludo—but they failed. A single spaceship escaped, with a mixed crew, looking for a new world. Twenty years later, with things looking

A snotty, nasty sorority girl (Jessica Rothe), who is obnoxious to her roommate and cruel to every guy she meets, and is sleeping with her married professor and ignoring her father, is murdered by a killer who wears a baby mask. She then wakes up just as she had the day before, and lives the

In the non-groovy past, a de-Jewified Larry Van Helsing (really? Larry? Not Abraham) and Count Dracula (Christopher Lee) both die—a scene that breaks with past films, but Hammer was never consistent. An unknown person wandering by grabs a vial of the Count’s blood, which pops up again in 1972. In that swinging time, some hippies,

A direct sequel to Godzilla Against Mechagodzilla (and the only film in the “millennium series” to carry any continuity) Godzilla: Tokyo S.O.S. (also known as Godzilla vs. Mothra vs. Mechagodzilla: Tokyo S.O.S.) starts with an injured Godzilla somewhere in the ocean and a damaged Mechagodzilla in the shop. As politicians fret, the twin fairies from

The crew of a colony ship is awakened by an accident—except for their synthetic, Walter (Michael Fassbender), who was awake—and while making repairs, picks up a signal. The new, uncertain captain, who needs the approval both of the crew and of God, decides to follow the signal to its Earth-like world which might be a

Neurotic weakling Willard (Bruce Davison) lives with his overbearing mother (Elsa Lanchester) and her equally overbearing friends, and works for sleazy Mr. Martin (Ernest Borgnine) who stole his father’s business. While failing to do his chores, he meets, and slowly bonds with some rats in his backyard. The bond becomes closer and closer, particularly with

High schooler Anna (Ella Hunt) is in a dark place after the death of her mother, being dumped by her asshole boyfriend Nick (Ben Wiggins), and attending a school presided over by a near psycho teacher (Paul Kaye). She just wants to escape her small Scottish village. Her ennui is interrupted by the zombie apocalypse.

Dr. Henryk Savaard (Boris Karloff) is one of the greatest scientists in the world. He has created a technique to restore a dead body to life which will progress the art of surgery by a thousand year (or maybe a few decades). With the aid of his protégé Lang (Byron Foulger), he finishes the first

Thirteen years ago a dinner party is interrupted when the master of the house, John Morgan, dies. Only 12 of the expected 13 guests had arrived and his Last Will and Testament leaves the bulk of the estate to the missing 13th guest. Now Marie Morgan (Ginger Rogers), on her 21st birthday, has been sent

Anya Karlov is seduced and then abandoned by Prince Gregor Petroff (Wallace MacDonald), a member of an obnoxious aristocratic Russian family. She dies, and as the family refuse to say which of them is at fault, nor do they show any sign of caring, her father, scientist Boris Karlov (Warner Oland) sets out to take