A cheap, drunken, bombastic widower (Charles Laughton) declares he will not pay the expected marriage settlement for his two younger daughters (Daphne Anderson and a pre-pre-Faulty Towers Prunella Scales) and that his eldest (Brenda de Banzie) is too old to find a husband. That eldest has her own plans: marriage with a lower class bootmaker
Aunt Clara (1954)
Rich and corrupt Simon Hilton (A.E. Matthews) dies, leaving his fortune and questionable enterprises to his pure and kindly niece Clara (Margaret Rutherford). Clara sets out with Simon’s semi-criminal butler (Ronald Shiner) to check on the businesses, including a pub where the keepers have been stealing the money meant for Simon’s illegitimate daughter (Jill Bennett),
The Runaway Bus (1954)
Extreme fog shuts down London’s airport—and most forms of transportation—a fact that isn’t going to stop overbearing Miss Benton (Margaret Rutherford) from getting to Dublin. She insists that a bus be supplied, and to avoid trouble, it is, along with inept driver, Percy Lamb (Frankie Howerd), and put upon stewardess Lee, Nicholls (Petula Clark). They
Too Many Crooks (1959)
Fingers (George Cole) is the incompetent leader of a band of unsuccessful thieves, made up of grumpy and nearly competent Sid (Sidney James), illiterate wrestler Snowdrop (Bernard Bresslaw), the agreeable Whisper (Joe Melia), and the buxom and stunning Charmaine (Vera Day). After several failed jobs, Fingers comes up with a plan to kidnap the daughter
Miranda (1948)
Paul Martin (Griffith Jones), a wealthy doctor, leaves his wife Clare (Googie Withers) at home and takes a bachelor holiday to the seaside. There he meets Miranda, a lonely mermaid (Glynis Johns) and agrees to take her to London, disguised as an invalid patient. As she is attractive, enthusiastic, flirtatious, and lacking in the norms
Rotten to the Core (1965)
Three small time crooks, Jelly Knight, Scapa Flood, and Lennie the Dip (Dudley Sutton, James Beckett, and Kenneth Griffith) get out of prison to find their old boss, The Duke (Anton Rodgers) dead and the money they stole gone. They fail running their own crimes, but a chance encounter leads them to believe that The
Mad About Men (1954)
Kindly but repressed school teacher Caroline Trewella (Glynis Johns) takes a trip to Cornwall to see the house she has inherited. It sits on top of a sea cave where a pair of mermaids frolic. The brighter of the two, Miranda (also Glynis Johns) shares a grandfather with Caroline—the two are doubles—and persuades her to
The Constant Husband (1955)
A man (Rex Harrison), later identified as Charles Hathaway, wakes up in Wales with amnesia. With the aid of a specialist (Cecil Parker), he discovers he’s rich, married to a beautiful woman (Kay Kendall), and is an important government official. But quickly things don’t fit properly. His boss (Raymond Huntley) only seems to know him
Trouble in Store (1953)
Norman (Norman Wisdom) is an incompetent and dim stock boy at a large department store. When not destroying things or insulting people, he is chasing after fellow employee Sally (Lana Morris). He repeatedly gets fired by the new boss, Mr. Freeman (Jerry Desmonde) and rehired by dumb luck. Meanwhile, Miss Bacon (Margaret Rutherford) is shoplifting
Passport to Pimlico (1949)
The unplanned detonation of an unexploded WWII bomb in a London neighborhood uncovers a buried treasure. Professor Hatton-Jones (Margaret Rutherford) is brought in to determine its historical significance, and discovers more than anyone expect: By a 500 year old royal charter, the area is not part of England, but of Burgundy. The locals quickly find
Left Right and Centre (1959)
Obnoxious TV personality Robert Wilcot (Ian Carmichael), the Conservative candidate in a by-election, becomes smitten with the Socialist candidate, Stella Stoker (Patricia Bredin). Their two parties try to keep them at each other’s throats, while Wilcot’s uncle, Lord Wilcot (Alastair Sim) uses the election to sell tickets to his amusement park. The writing/producing/directing team of
Innocents in Paris (1953)
A collection of generally uninformed and eccentric Brits (including Alastair Sim, Margaret Rutherford, Claire Bloom, Ronald Shiner, James Copeland, Jimmy Edwards, and Mara Lane) travel to Paris and have miscellaneous and unconnected adventures. Nostalgia is on display as much as jokes in this mild comedy. The central idea is that France is a strange and