Foster on Film

< In near-future Hong Kong, where cyber-enhancement of the human body is all the rage, Major (Scarlett Johansson), who was the victim of a terrorist attack, has had her brain placed into an android body by a blatantly evil robotics company. She’s intended to be the first in a long line of weapons, but for

It all started here. It was all new. I’d never seen anything like this before and it was breathtaking. The first scene, with the rebel ship flying overhead followed by the star destroyer, is amazing and has never been equaled. Star Wars took old stories and myths and icons, tossed them into a sandy blender,

Nemesis is better than it has any right to be. This is faint praise as it shouldn’t be any good at all. That it is watchable (on free cable—it is not worth actually paying for) is a miracle. There were no good decisions made in constructing this film: An unemotional and unnecessary wedding scene. Yet

Something has gone wrong at the Soviet space station around the planet Solaris. The planet has a sentient ocean that may be creating hallucinations and that idea frighten those in charge. Kris Kelvin (Donatas Banionis), an unpleasant and simple man who is supposedly a psychologist, but never displays that in any way, has been chosen

Six astronauts on the international space station—a medic (Jake Gyllenhaal), a Ryan Reynolds-like pilot (Ryan Reynolds), a handicapped biologist (Ariyon Bakare), a CDC safety officer (Rebecca Ferguson), a computer guy (Hiroyuki Sanada), and the captain (Olga Dihovichnaya)—recover a microscopic life form from a Mars probe and start to experiment with it. Naturally, it grows until

K (Ryan Gosling), a replicant blade runner, lives in a future where new replicants are constructed to obey due to the peculiar, corporate overlord, Niander Wallace (Jared Leto). So the job of the blade runner is now running down old-style replicants who were made before the great blackout. In “retiring” one of these (Dave Bautista),

High schooler Anna (Ella Hunt) is in a dark place after the death of her mother, being dumped by her asshole boyfriend Nick (Ben Wiggins), and attending a school presided over by a near psycho teacher (Paul Kaye). She just wants to escape her small Scottish village. Her ennui is interrupted by the zombie apocalypse.

Thomas Harber (Robert Redford) has discovered definitive proof of an afterlife. This has lead to massive numbers of suicides. Upon hearing his father has discovered something new, Harber’s truly annoying son, Will (Jason Segel), travels to a beautiful home that is supposed to be considered ugly for no reason. It is the cult-like base where

Spock’s brother and some space hippies want to find God who lives in Eden at the center of the galaxy. Naturally they need a star ship to get there and the Enterprise is the first available one they can take over. Oh, and there’s a punk Klingon following because…reasons. It is hard not to be

After several strange kidnappings and attacks, the undersea empire of Mu makes its demands known: Destroy the super-sub Atragon, and then become colonies of Mu. The first of these is tricky as Japan doesn’t know anything about the Atragon. It was a project under the command of Captain Jinguji who supposedly died at the end

The crew of a colony ship is awakened by an accident—except for their synthetic, Walter (Michael Fassbender), who was awake—and while making repairs, picks up a signal. The new, uncertain captain, who needs the approval both of the crew and of God, decides to follow the signal to its Earth-like world which might be a

Mae (Emma Watson) gets a chance to escape her dead-end job due to her friend, Annie (Karen Gillan), getting her an interview with The Circle, an Appple/Facebook/Google-type company. The Circle is extremely helpful in all aspects of life, but equally intrusive. The employees act like members of a cult, led by the charismatic Bailey (Tom