Gaslight (1944)

Gaslight (1944)

This is one of those movies that has made its mark on modern culture while few people of recent generations have seen it. “Gaslighting” has become a verb, used normally in a political context and often dealing with feminism. Of course the terms current usage defines something quite mild compared to what happens in the

Gone With the Wind (1939)

Gone With the Wind (1939)

It’s back in the good old days when we still had slaves, because that was great. Scarlett O’Hara (Vivien Leigh) is an obnoxious, mentally-deficient, self-absorbed tourette-sufferer who we should love because she has a hot bod and is a bitch, which equals sexy. In their slave paradise, she’s surrounded by people like Melanie—who’s a Madonna,

Rebecca (1940)

Rebecca (1940)

Rich and imposing widower, Maxim de Winter (Laurence Olivier) quickly marries a lower class introvert (Joan Fontaine). The Second Mrs. de Winter—that’s the only name she’s given—has problems fitting in at Manderley, his ancient estate, and is constantly doubting herself, afraid that her husband can only love his dead first wife, Rebecca. Mrs. Danvers (Judith

The Magnificent Ambersons (1942)

The Magnificent Ambersons (1942)

In 1873, the Amberson’s are at the height of society. Nearly undefined daughter Isabel (Dolores Costello) is wooed by the young men of the town, in particular bland (though we’re not supposed to think he’s bland) Eugene (Joseph Cotton). Though we are told she loves him, sticking with the old ways, she marries some guy

Battleground (1949)

Battleground (1949)

During the Battle of the Bulge—December 1944—the 101st Airborne Division is moved to Bastogne. We follow a number of soldiers (Van Johnson, James Whitmore, Douglas Fowley, George Murphy, Herbert Anderson, Ricardo Montalban, Don Taylor, John Hodiak, Marshall Thompson) as they fight, suffer, die, and try to survive in the days they are trapped, surrounded by

Thirty Seconds Over Tokyo (1944)

Thirty Seconds Over Tokyo (1944)

An account of the “Doolittle Raid” in which the US bombed Tokyo and other Japanese cities, undertaken to raise US morale and damage Japanese morale instead of for the physical damage that could be done. We follow the crew of “The Ruptured Duck,” captained by Ted Lawson (Van Johnson) and including gunner David Thatcher (Robert

Black Narcissus (1947)

Black Narcissus (1947)

Five nuns are sent into the Himalayas to turn an ex-pleasure palace into a nunnery. A previous attempt to make it a monastery had failed for unstated reasons. Youthful and arrogant Sister Clodagh (Deborah Kerr) is made mother superior. She is given: Sister Philippa (Flora Robson), to run the garden; Sister Honey (Jenny Laird), because

Johnny Belinda (1948)

Johnny Belinda (1948)

We are in the far off dark land of post-war Canada, where a deaf-mute is assumed to be unable to think and feel by the primitives that live there. Enter Doctor Noble Dogoodery (Lew Ayres). He wanders about, doing good, until he meets virginal deaf-mute Belinda (Jane Wyman). She has never been taught anything in

Trader Horn (1931)

Trader Horn (1931)

A White ivory trader and “hunter” known as Trader Horn (Harry Carey) heads down the river with his oblivious friend Peru (Duncan Renaldo) and his loyal Black “gun bearer” to trade with the savages in the deepest part of that mysterious continent of Africa. Along the way they run into Edith Trent (Olive Carey—the star’s

King Solomon’s Mines

King Solomon’s Mines

King Solomon’s Mines (1937)  King Solomon’s Mines (1950)  King Solomon’s Mines (1985)  Allan Quartermain, the great white hunter, finds himself, against his better judgment, as the guide for a rescue party into “uncharted” Africa. Their destination is the diamond mines of King Solomon, an old wives’ tale. Along the way they pick up an unusual

The Misfits (1961)

The Misfits (1961)

Recent divorcée Roslyn Taber (Marilyn Monroe) and her divorce-enabling friend Isabelle Steers (Thelma Ritter) run into Gay Langland (Clark Gable), an aging and bitterly nostalgic he-man cowboy, and Guido (Eli Wallach), a lost widower. The men immediately start competing for her. Though neither of them exhibit any qualities she’s interested in, she moves in to

La Dolce Vita (1960)

La Dolce Vita (1960)

Marcello (Marcello Mastroianni) is a playboy and entertainment reporter, living adjacent to the rich and famous, and though that proximity and his own charms, he is living the sweet life. He hangs out at night clubs, bars, and parties, often with Paparazzo (Walter Santesso), his photographer, at his side. In the course of a week,