In a dystopian future, Wade Watts (Tye Sheridan) is a simple-minded, selfish, undeveloped, pop-culture fanatic who we are supposed to like. He, like most people, spends all his time inside the OASIS, a virtual universe where people can be anything, sorta, but tend to go for things that were popular in the 1980s. The OASIS
Search Results : player » Foster on Film
Itās time for another list that no one cares about. With films and gaming, Iāve got cred. Musicā¦ Well, this is just what I like. And what I like is Yes. Yes started as a psychedelic band, but moved quickly into art rock, creating works of stunning complexity and beauty. They were something new and
Here youāll find an overview of the Bard Class, suggestions for DMs, and guidance in building a bard, and it wonāt cost you your soul. Really. Trust me. Later parts will include feat selection, spell selection, dipping, and a ranking and review of the subclasses. This is The Devilās Typist, bringing you The Prince of
Explanations, Justifications and Options My Version Familiar Spells Familiar Buffs Ā Explanations, Justifications, and Options OK, why mess with Find Familiar? Easy answer: the spellās fun. Itās always been fun. Itās one of the most fun spells in the history of D&D (when it was a spell; sometimes it was a fun feat). But in
I fell into an Easter Youtube Rabbit Hole. Was listening to one version of Heaven On Their Minds (my favorite song from Jesus Christ Superstar), which led to another which led to another. So I ranked 29 of them. And you can find a lot of them: Broadway Cast; London Cast; Italian; Korean; Swedish. There
The 1960s
āā indicates Best of the options given. āā indicates actual Best when the best wasnāt nominated. ACTOR IN A LEADING ROLE Christian Bale (Vice) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Rami Malek (Bohemian Rhapsody) Viggo Mortensen (Green Book) ACTOR IN A SUPPORTING ROLE Adam Driver (Blackkklansman) Mahershala Ali
I discovered Renaissance in the early ā80s and was sucked into the beauty of their music. I hadnāt heard anything like them, and while Iāve run into copies and bands treading similar ground since, thereās nothing like the original. Back before āprogressive rockā was a term, there was Renaissance, which along with GenesisĀ and Yes,
The 1950s
Music can make or break a movie. This was unknown in the late 1920s when talkies began; it was assumed audiences wouldnāt accept music without an onscreen source. But they learned, and film became better for it. I wanted to take a look at my favorite film composers (and simply figure out who are my