Feb 072015
 
3,5 reels
daredevils1

Matt Murdock (Charlie Cox) is a blind lawyer by day and an enhanced vigilante by night. In his law practice, formed with his college friend “Froggy” (Elden Henson) and aided by recent client Karen Page (Deborah Ann Woll), he defends the poor. As “The Devil of Hell’s Kitchen” he attempts to take down the mobs, searching for the kingpin of crime, Wilson Fisk (Vincent D’Onofrio). Fisk, a violent and driven man, plans to remake the city into something beautiful. His life is altered when he unexpectedly finds himself in love with art-dealer Vanessa (Ayelet Zurer).

Daredevil: Season One is the highpoint of the MCU on Netflix. It is written better, with wittier dialog, and shot better than the rest. It is serious, but not too serious. The fights are brutal but they are secondary. Much more time is spent on getting to know Matt Murdock and his pals than anything else.

It has the same flaws as the others, but to a lesser extent. I’d like to edit it down, and remove the most ridiculous decisions (You mean the guy that kills people who cross him might try to kill you if you cross him? Shocking). And there’s too many speeches and lots of repetition on the nature of a hero and vigilantism.

Matt Murdock is a middle of the road character, neither interesting nor annoying. And Froggy, the sidekick, is just that, a sidekick who fills up time. Then there is Karen Page, who’s like something out of the 1950s. She never thinks; she simply emotes. In this (and the second season) she just jumps in, crying about truth and how sad things are with no regard to how anything works and we are supposed to ride along. Bringing up THE TRUTH in a court case is not important if it is clearly inadmissible or irrelevant. She’s a bad trope from an earlier time.

What the season has is a great villain in Wilson Fisk, and most reviews fawn on him. People mistakenly think it is Fisk alone, the performance by Vincent D’Onofrio and his being a villain who is fighting for what he thinks is good. But it is the relationship between him and Vanessa that makes the show work. When Fisk kills the Russian boss, it isn’t for some empty scheme or due to daddy issues (see Luke Cage). It is because the Russian damaged his relationship—because Fisk was embarrassed in front of Venessa. That made it emotional. That gave it resonance. I believe everything Fisk does connected to her. And I believe her. They are the heart of the show. At times I wanted him to win. I understood him. I almost liked him, but I really liked them together. D’Onofrio may have been excellent, but Zurer is more. Hers is the finest performance in any of the series.

To add to a great villainous couple, we have a great henchmen in loyal James Wesley (Toby Leonard Moore). I could have watched thirteen episodes of the adventures of Fisk, Vanessa, and Wesley.