Foster on Film

The top 3rd feels like two groups. About half would fit comfortably with the last section, while the best of the best here really soar. Maybe I should have split this into 5 or 6 posts.

Ten dominates the list, though if Nine had been in more episodes it would be a close call. Eleven shows up less, Twelve less still, and Thirteen is entirely missing.

Lowest 3rd
Middle 3rd

 

#49 The Runaway Bride (S3-E0)

Ten, Donna
Donna is always a bit shrill, but here she is truly unpleasant. Her mother is… wow… Doctor Who hates mothers. Donna gets better over time; her mother does not. The story isn’t great and the FX spider is worse. It’s fast-paced, which helps, and funny, which helps more. But it is Ten that makes it all work. He switches from emotional & dramatic to funny to an action hero three times in the same scene and it always works.
Doctor: Very Good. Companion: Annoying. Villain: Weak. Plot: Middling.

 

#48 Vincent and the Doctor (S5-E10)

Eleven, Amy
A good episode, but it gets far more credit than it deserves. It is not a deep exploration of depression, though it would like to be. There is way too much lightness and silliness for an episode that takes itself so seriously. Plus the music over Van Gogh’s visit to the library belongs in a different type of show–one that I don’t watch.
Eleven definitely isn’t the one for this. Ten would have pulled it off better. Amy, is of course, fantastic, and Vincent is well drawn.
Doctor: Wrong for the ep. Companion: Excellent. Villain: Weak. Plot: OK.

 

#47 The Sontaran Stratagem / The Poison Sky (S4-E4/E5)

Ten, Donna, Martha
The return of the classic villain, the Sontarans—another SF warrior & honor race that is horrible at war. A solid episode, but while the previous one, Planet of the Ood, felt like it was a two-parter, this one felt like a single-part ep when seen from a distance. Not enough happens. The genius kid was unnecessary, as was Donna remembering her previous episodes.
Funny that Martha didn’t come into her own until after she was done with the TARDIS.
Doctor: Shrill.  Companions: Good.  Villains: Good.  Plot: Good.

 

#46 Partners in Crime (S4-E1)

Ten, Donna
This is a lightweight ep. A good re-introduction to Donna. She is 50% less annoying than as a bride, which still leaves a good deal. Some humor and a desire for adventure counter the annoyance. It leans a bit too far on the juvenile, however, the first meeting between The Doctor and Donna in this ep makes me give a pass to everything else.
Doctor: Excellent. Companion: Good. Villain: OK. Plot: Weak.

 

#45 Hell Bent (S9-E12)

Twelve, Clara
Twelve goes crazy in an attempt to save Clara. I rather like that he flipped out. I wasn’t so fond of Gallifrey. The great civilization of the Time Lords has never been smaller. They could, and should, have done this ep without the Time Lord politics. It made them tiny and unimportant (well, not the first time that’s happened). Clara, however, got a good sendoff.
Doctor: Very Good.  Companion: Very Good. Villain: Vague.  Plot: Very Good.

 

#44 The Doctor’s Daughter (S4-E6)

Ten, Donna, Martha
It gets a couple of points for its meta nature (David Tennant married the actress who played his daughter, who is in real life the daughter of Peter Davison, the 5th Doctor). The fish people are not the greatest creation, but more than made up for by Jenny as well as for the point about what it is to be a soldier. Budget limitations show up. This was an odd ep to bring back Martha as she’s stuck in a side plot that could have been cut.
Doctor: Good.  Companions: Good.  Villains: OK.  Plot: Good.

 

#43 Gridlock (S3-E3)

Ten, Martha
A surreal episode that works amazingly well for its unreal premise. The people of New New York get on a freeway and just stay on it, forever, moving only yards each day in the dense traffic. It’s also a “save the companion” episode. The many secondary characters are well-drawn and we get the return of a few old ones, giving Whoviens something to dwell on.
Doctor: Excellent. Companion: fair to good. Villain: None. Plot: Good, if slight.

 

#42 Wild Blue Yonder (60th-Anniversary Special 2)

Fourteen, Donna
It’s amazing what you can do with so little. This is one of the most frightening Who stories, and yet there’s very little story. We don’t know what’s the creatures are or why any of this is happening, but we sure know something is very wrong. Tennant and Tate have tons of chemistry. This episode just pulled me in and didn’t let go. Normally specials go big. This one went small, and it worked.
Doctor: Excellent.  Companion: Excellent.  Villain: Scary.  Plot: Slight.

 

#41 School Reunion (S2-E3)

Ten, Rose, Mickey, Sarah Jane, K9
This one is all about bringing back Sarah Jane Smith, and to a lesser extent (much, much lesser), K9. The story isn’t much, but the character interaction is first-rate. Acted as a pilot for the young kid’s show, The Sarah Jane Adventures.
Doctor: Excellent. Companions: Excellent. Villains: OK. Plot: OK.

 

#40 The End of the World (S1-E2)

Nine, Rose
After a first episode that said this show was not going to be like the past, the second episode of modern Who said the opposite. It felt like a kid’s show, a pretty good kid’s show, but a kid’s show. And Rose, who came off as strong and resourceful in the first seems weak, bitchy, and useless here. What’s her problem with aliens? She is the portal character, so who is her attitude supposed to appeal to? However, she does learn, and The Doctor is engaging, the tree woman is a nice addition, there’s a nice mix of humor and tension, there’s plenty of character development, and The Doctor and Rose’s relationship grows.
Doctor: Very Good.  Companion: Disappointing.  Villain: Comical.  Plot: Fair.

 

#39 The Giggle (60th-Anniversary Special 3)

Fourteen, Fifteen, Donna
Well, that was unexpected. So much seemed just what I thought it would be, and then it would all get twisted. I expected Fifteen to appear, but not when how how he did. And I do like being surprised. I loved how visible the pain and weight was on Fourteen, and how energic and fresh Fifteen was. And who’d have thought I’d be happy seeing Mel. This works nicely as the end of the three special that brought life back to the show.
Doctors: Excellent.  Companion: Excellent.  Villain: Good.  Plot: Good.

 

#38 Let’s Kill Hitler (S6-E8)

Eleven, Amy, Rory, River
A combination of a lot of fun and a lot of stupid. So, we have time travelers who just go around and torture people for “justice.” Hmmm. Shouldn’t another group of time travelers be The Doctor’s greatest concern? Ah well, why worry about the problems when you’ve got Rory punching Hitler, River’s numerous assassination attempts, River vs Nazis, and everything with Amy. This may not be the smartest Doctor Who episode, but it is one of the most fun.
Doctor: Good.  Companions: Excellent.  Villains: Hard to say.  Plot: Best not think about it.

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We are squarely in Doctor Who season again (yes, that’s an official season of the year), which has not only focused my interest but focused the interest of others who then foolishly ranked all of the episodes. The problem with their rankings was that they were wrong–wrong in that they were not my rankngs. Yes, sometimes it is that simple. So it seemed necessary for me to rank them. This I have done, from worst to best, in three posts (and I’ve updated this list now many times as new episodes came out). In general, I grouped multipart episodes together.

Naturally, I didn’t go at this as a blank slate since that would make it meaningless. Rather, I have a few positions that greatly determine my rankings. Those are:

• Writing is the most important.
• I’m good with Doctor Who being a family show–not so much with it being a kids show. If things get too silly or are directed only at children, my ratings go down.
• I don’t expect the science to be good, but I do grade down when things completely lose internal consistency or when an episode takes pains to point out something egregiously stupid.
• The season arcs matter. A bad arc hurts more than a good arc helps.
• Yes, I think some Doctors were better than others. This is mainly due to versatility of the actor and versatility of the role, plus charisma.
• Yes, I like some companions better than others. Some never worked (the “Fam”). Some should have worked but never jelled (Martha). Some started poorly but improved (Mickey, Donna). Some started great and fell apart (Clara). Some were perfect (Rose, Amy, Captain Jack). Some were great in so many ways, though scripts or arcs let them down (River). I universally hate all mothers on the show (I think someone had mother-in-law issues).
• I started watching Doctor Who in 1978 and picked up the earlier ones later. I’ve watched every existent episode, many of them multiple times. That makes me an old-time Doctor Who watcher. However, I do not have some of the qualities attributed to those earlier fans. I do not give a pass to horrible FX. I do not give points for the show merely referring to its past. And most importantly, I am not against romance and sexuality. (Original Who was famously asexual. People forget that the  biggest outcry against the 1996 movie was not the half-human line, but rather that The Doctor kissed a woman.)

For the most part, the modern Doctor Who has been very good, though the bottom quarter is skippable and contains a few stinkers. So, let’s start with the one that smells the worst. Luckily, it gets better. (And yes, I might seem a bit harsh here, but it is the bottom 3rd.) This section is ruled by Twelve and Thirteen, who have between treen and four times the eps in it as Ten and Eleven combined (Nine is never in this section).

 

#147 Kill the Moon (S8-E7)

Twelve, Clara
The most ill-prepared and dimwitted astronauts in history head to the moon to blow it up and Twelve, Clara, and one of her students (yes, a student) tag along. The moon is an egg for a giant alien and it is gaining mass (because that makes sense). None of the characters come out of this one looking good, but that doesn’t matter when the central point is this stupid. The only positive is that there is very little Clara and Danny faux-romance. Use this episode to argue over which character, The Doctor, Clara, the teenager, or the dim astronaut is the most annoying. If you watch Doctor Who and ask, “Oh, why can’t there be more pointless arguments?” this is your episode.
Doctor: Annoying. Companion: Annoying. Villain: Missing. Plot: Deeply stupid.

 

#146 Legend of the Sea Devils (Special)

Thirteen, Yaz, Dan
It’s hard to think of anything good to say: The Sea Devils look “better” than they did in their last appearance in the ‘80s and there’s an OK Stephen King joke. That’s it. The rest is junk. The fights are unlikely, the characters ridiculous, the tone is bleak for no reason, the relationship material is annoying, and the ending is a meaningless lightshow. And wow, Chibnall does not understand what the Earth’s magnetic field is.
Additionally, the editing is horrendous with the same shot being used multiple times (sometimes reversed), and establishing and transition shots missing. Apparently this was due to COVID lockdown, which is an explanation, but doesn’t make it better.
Doctor: Lame. Companions: Idiots. Villain: Weak. Plot: Pointlessly complex.

 

#145 In the Forest of the Night (S8-E10)

Twelve, Clara
So who thought it was a good idea to stick a group of school children with the Doctor and have Clara stuck in teacher mode? I suppose it was an attempt to pull in the kid audience, or maybe it was just stupid. The kid-filler was needed as the plot should only have filled about fifteen minutes. It isn’t a bad plot; there just isn’t much to it as there is no adversary or actual problem. So a brief story about intelligent foliage, a fair amount of wasted time, and plenty of bad character development. I didn’t think Danny could be any less interesting. The family ending is saccharine and comes out of nowhere and is just another piece of wrongness.
Doctor: Weak.  Companion: Weaker.  Villain: None.  Plot: OK, but brief.

 

#144 The Battle of Ranskoor Av Kolos (S11-E10)

Thirteen, Ryan, Yaz, Graham
The problem with big eps that are supposed to prove a point is that sometimes they prove the opposite. This one plays down all the death and pain so as to claim that killing the big bad wasn’t and isn’t the best idea, but it clearly was and still is. And that big bad ends up being strangely wimpy.
Doctor: Weaker. Companions: Eh. Villain: Wimpy. Plot: Underwritten.

 

#143 Revolution of the Daleks (S12-E11)

Thirteen, Ryan, Yaz, Graham, Captian Jack
The return of Captain Jack is wasted, and he’s the only good thing in this episode. The poor plot and poor use of the daleks don’t sink the ep, nor does setting up events and then ignoring them (The Doctor has been in jail for years, and…?), but there’s no getting around the whining. This is the worst appearance by Thirteen, but I hardly noticed how bad she is due to Ryan, Graham, and Yaz sucking the life out of the show. Well, at least two of them are leaving; that’s something.
Doctor: Whiny. Companions: Whiner. Villains: Weak. Plot: Weak.

 

#142 Flux (S13-E1 to E6)

Thirteen, Yaz, Ben
Since two of the six parts of Flux can’t stand on their own, I’m counting it as a single episode, and as that, it doesn’t work. You have to stick the landing, and Flux falls on its face. Too much time is spend on things that don’t matter with the main plot being given far too little time. Characters are undeveloped, motivations are vague or missing, and nothing matters. Yaz finally seems like a character, but she still doesn’t do anything that counts. Major questions are left unanswered and unexplored whereas things of no consequence are explained in detail.
Doctor: OK.  Companions: A bit better.  Villain: Vague.  Plot: Nonsense.

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